The first chapter of The Half-Blood Prince is, for me, more evidence of the kind of clever, thoughtful writer J.K. Rowling really is.
Coming off what turned out to be the longest novel in the series, she sat down to write THBP facing the challenge of getting across a great deal of information to her reader while not falling into the trap of providing a long, drawn out expository passage with little action to open the novel.
So she created something entirely new, something that very cleverly incorporates small pieces of plot that she had dropped into earlier novels and that her readers probably didn't even notice the first time around.
Rowling created the relationship between the Muggle Prime Minister and the "Other Minister", the Minister of Magic. Drawing most directly from the mention in The Prisoner of Azkaban that the Muggle Prime Minister had been alerted of Sirius Black's escape from the wizard prison, she introduced the sixth book with a fun and funny, but also informative, scene wherein Fudge visits the Prime Minister to explain what has been going on and to introduce, at the end of it, Rufus Scrimgeour, Fudge's replacement as Minister of Magic.
The scene is expressed as a combination of flashback (a clever way for Rowling to recap some of the most significant events of the earlier novels) and conversation, in which a bewildered Muggle Minister tries to figure out his bizarre new guests. It is significant to note that this chapter is told entirely from the point of view of the Muggle -- this gives Rowling the chance to show us clearly how the non-magical world understands (or fails to understand or even acknowledge) the magical world.
Earlier, we encountered Voldemort, Wormtail and Nagini from the point of view of Muggle Frank Bryce in The Goblet of Fire; this scene at the start of THBP is, to my recollection at least, only the second time in which Rowling writes for an extended period from the Muggle point of view.
In 17 short, lively pages, Rowling manages to provide her reader with a great deal of information about all that has taken place since the end of The Order of the Phoenix, including the escape and subsequent recapture of the Death Eaters, the re-emergence of Voldemort, the murder of Amelia Bones and Emmeline Vance, the possible presence of one or more giants in England, the revolt of the Dementors and the attempts by Voldemort to take over the Ministry.
She also makes it clear that the relationship between Dumbledore and Scrimgeour is not particularly comfortable.
It's an awesomely creative scene. It explains both what has happened since the last book ended and how the relationship works between the two governments: muggle and magical. It introduces us to Scrimgeour and tells us that the levels of violence and murder in the books are to rise once again.
And it delivers all of that in a very fast-paced, interesting fashion.
It's a great piece of writing.
And it's followed very quickly by a second great piece of writing: chapter two of THBP, "Spinner's End". More on that in my next entry.
"Earlier, we encountered Voldemort, Wormtail and Nagini from the point of view of Muggle Frank Bryce in The Goblet of Fire; this scene at the start of THBP is, to my recollection at least, only the second time in which Rowling writes for an extended period from the Muggle point of view."
ReplyDeleteThe first book begins with Uncle Vernon's perspective, and him noticing all the owls and people in robes.