Showing posts with label Bella Swan. Show all posts
Showing posts with label Bella Swan. Show all posts

Tuesday, July 14, 2015

Who Fears Death, Harry Potter?

It is true that there are only a limited number of stories available to tell. Dress them up as you might, you are still basically telling the same stories that have been told over and over again in the past.


The story of the outcast who discovers that he/she/it is actually a hero/monarch/superstar in another world is one such archetypal story.


And it has been told and retold many times in western pop culture over the years:
  • Peter Pan, where a young boy discovers he is a key figure in Neverland, destined to save the Lost Boys from the evil pirate Hook;
  • The Narnia Series, where a group of young kids discovers that they are royalty in the land of Narnia, destined to lead it through a series of challenges;
  • Star Wars, with orphan Luke Skywalker discovering that the "Force is strong" within him and that he is destined to battle Darth Vader (his father) and the evil Emperor;
  • Harry Potter, with orphan Harry Potter discovering that he is a "wizard, and thumping good one" and that he is destined to battle Voldemort and his evil plans;
  • The Hunger Games, with impoverished and practically orphaned (her father is dead, her mother emotionally absent) Katniss Everdeen volunteering to leave her family, fight in the ritual games and finally become the symbol of the revolution against the evil Capitol;
  • Twilight, with lonely and depressed Bella Swan discovering that there is something special about her that attracts the interest of two mysterious and supernatural heroes and who finally becomes the key figure in their confrontation with the evil Volturi coven; and
  • many more.
The popularity of this story seems, in my opinion at least, to be based on the fact that the main character escapes an unbearable life to discover that he/she is actually very powerful, very famous, very important. It is a wonderful dream for any of us who have ever been sad, or depressed, or unhappy with our lot in life. Maybe, just maybe, we really are special, if not here then in some other world.


The most stunning example that I've encountered recently is Nnedi Okorafor's 2010 novel, Who Fears Death (Daw). A powerful and gripping book, WFD shares a number of significant parallels with Harry Potter, both in its basic plot and in its detail.


Before I go on, however, I should warn you that Okorafor's book is NOT a children's novel. In the first 40 pages, she describes in graphic detail both a very violent sexual assault and a female circumcision. The violence and sexuality throughout the book is definitely for mature readers and the novel is written at a philosophical and emotional level that would be beyond most young people.


The story is told by the main character, Onyesonwu, a mixed-race outcast who is the child of rape. Onye's life in a small village is a miserable one, but for the love of her mother and her adoptive father, as she faces derisions, rejection and violence at almost every turn. As she approaches adulthood, however, she discovers that she possesses magical power that dwarfs even that of the local sorcerer. Further, she finds out that she is "The Chosen One", the mythic figure the arrival of whom has long been foretold and who is destined to end the subjugation and annihilation of the Okeke race.


In order to do so, however, she must face and defeat the most powerful and evil sorcerer in the known world: a man named Daib, who turns out to be her mother's rapist, Onye's own biological father.


It's a beautiful and powerful novel, one that tackles massive social issues in a spine-tinglingly exciting story.


And it also shares a number of points with the Harry Potter novels. A child with a violent beginning, outcast in his/her world, who begins to find strange "magical" things happening to him/her, things that frighten the people around him/her. A child who discovers both her/his power and her/his terrifying destiny, almost at the same time.


"The Chosen One" appellation was the similarity that struck me the most but there are other details that Who Fears Death and Harry Potter share: the often difficult relationship with the teacher figure; the early introduction of a powerful enemy and the suspense of whether or not the main character will be ready when the inevitable confrontation actually occurs; the creation of a group of friends and supporters through one or more dangerous experiences; the challenging journey undertaken by the hero that leads to the confrontation; and much much more.


I haven't finished Okorafor's novel yet but I'm anxious to do so, as much because I want to trace the ongoing parallels with Harry Potter as because the book is, itself, a riveting tale.

Sunday, October 21, 2012

How Rowling eclipses Meyer

First, an admission, then some thoughts.

The admission: despite the fact that I swore I would stop reading the twilight books after number two, new moon, I found myself in the Owl's Nest in Fredericton last week dropping five bucks on a used copy of eclipse, which of course is book three. I guess I'm a little bit hooked. And, surprisingly, it seems to have been the movies that did it, not the books themselves. I was impressed with the first two film adaptations and then felt I had to read books three and four before watching the films made of them.

Some thoughts: One of the great advantages that I think the J.K. Rowling series has over the Stephenie Meyer series is that Rowling adapts her style of writing to her maturing audience with each new book in the series. Meyers' books are all written for the same, young teen audience.

I can understand why Meyer would choose to do this, to be consistent in her style so that her readers would know what they're getting.

But I have a huge admiration for Rowling's realisation that her readers are themselves maturing in the interim period between the publication of her books. A reader who was thirteen when The Philosopher's Stone first came out would be 14 or so when The Chamber of Secrets was released, 15 to 16 when The Prisoner of Azkaban was published, and so on.

Rowling clearly understood that fact and made sure that the level and sophistication of each new book matched the level and sophistication of her reader. It's quite brilliant in its conception and really impressive in its execution.

Even now, I can enjoy the differing charms and attractions of each novel in the series. With Meyer, I find myself bemoaning the fact that each book offers the same tone, the same level of diction, the same sophistication of characterization and plot.

For example, the Bella Swan who works so well in twilight as a 16-year-old is less convincing in new moon as a 17-year-old and, as I'm finding out now, comes across almost embarrassingly infantile as an 18-year-old in eclipse. And the writing style doesn't mature either.

All of that being said, Meyer must be doing something right because I'm still reading.