Showing posts with label Leaky Cauldron. Show all posts
Showing posts with label Leaky Cauldron. Show all posts

Tuesday, March 14, 2017

At last, my Hogwarts acceptance letter

I have been accepted to Hogwarts School, the best school of witchcraft and wizardry in the world. That's what the letter I received today says. It's about four decades too late but at least it got here.

 In fact, I got the whole Hogwarts acceptance package: the letter, the list of supplies and books, the train ticket. Very very exciting. I even tweeted to J.K. Rowling to ask her help in finding the Leaky Cauldron and the entrance to Diagon Alley -- I have a lot to buy and I'm not sure Canada has its own magical mall.

I believe that my sister Lynn created these exquisite reproductions (because, let's face it, they're not real... unfortunately) and they have instantly become one of my favourite Harry Potter items, alongside my Gryffindor scarf (also hand-crafted by Lynn), my Grim tea cup and my Harry Potter shelf, all hand-made, one-of-a-kind items.

And these are perfect reproductions. Gorgeous and perfect in every way. The envelope came tied with a string, with the red Hogwarts seal on the back. And, if I'm not mistaken, the letter is perfect, right down to the signatures, while nothing is missed from the supply list enclosed.

I especially love the train ticket, which is plasticised slightly, to keep it firm and clean. I'm not sure everyone in the world would be as enthralled by this little package as I am but I guess that's the nature of presents: they are intended to please and delight the receiver. And, if my sister's excited anticipation of my opening the gift over the past two weeks is any indication, she's as delighted by this as I am!

Saturday, June 20, 2015

At last, a tiny impact of films on novels

I have often wondered if, in writing the later books, J.K. Rowling was at all influenced by the film versions of the earlier novels.

As the chart below shows, Rowling must have been in the process of writing The Order of the Phoenix at the time the first two films were released. Four films were already out by the time she was writing The Half-Blood Prince and The Deathly Hallows. The possibility of influence definitely existed.


Volume
Book Release
Film Release
1 – The Philosopher’s Stone
1997
2001
2 – The Chamber of Secrets
1998
2002
3 – The Prisoner of Azkaban
1999
2004
4 – The Goblet of Fire
2000
2005
5 – The Order of the Phoenix
2003
2007
6 – The Half-Blood Prince
2005
2009
7 – The Deathly Hallows
2007
2010
8 – The Deathly Hallows (2)

2011


To be honest, I have re-read the books several times with this question in mind and, until I listened to the audio books, I could find no evidence that she was influenced at all by the movies. I find that fact both remarkable and impressive. Jo must have had a very clear, unshakeable vision of her characters, her settings, her magical world to be able to resist adapting that vision to match the very vivid, very imaginative presentation offered by the films.

I say, "until I listened to the audio books", however, because, as Jim Dale read to me the chapter called "Gringott's" in the seventh book, I heard it... a very small, very minor bit of evidence that Rowling might just have been influenced, however slightly, by the films as she wrote the later books.

Don't get too excited. It really is a very minor example. And if it is the only example, it is practically meaningless. But interesting nonetheless.

It involves the presentation of the gateway to Diagon Alley located at the back of the yard of the Leaky Cauldron. Here is how Rowling describes the movement of the bricks and the formation of the gateway in The Philosopher's Stone (1997):

The brick he had touched quivered -- it wriggled -- in the middle, a small hole appeared -- it grew wider and wider -- a second later they were facing an archway...

Now imagine how this same scene was depicted in the first film in 2001. Hagrid touches the brick with his umbrella/wand and the bricks begin to spin and rotate out of sight. The archway takes several seconds to form as the bricks twirl. It's a wonderfully visual event and a brilliant way to introduce the splendours of Diagon Alley.

Now fast forward five years to 2006 as Rowling is in the process of writing the final novel. Harry, Hermione and Ron arrive at the Leaky Cauldron (suitably disguised, of course), on their way to breaking into the Lestrange vault at Gringott's, and Jo describes the opening of the gateway to Diagon Alley as follows:
Hermione... tapped a brick in the nondescript wall in front of them. At once the bricks began to whirl and spin; a hole appeared in the middle of them, which grew wider and wider, finally forming an archway...
In her initial description of the formation of the gateway, Rowling says that the brick "quivered" and "wriggled"; the film presents the bricks as spinning out of sight; in her final description of the formation of the gateway, Rowling says that the bricks "whirl" and "spin".

I know. I know. I know. It's nothing huge but... doesn't it seem like the filmic version of the event changed, however slightly, Rowling's description of the way the archway changed.

For some reason, this discovery delights me to no end.

Monday, July 14, 2014

Something Wiki this way comes...

Wow, the people who update the Harry Potter Wiki site are fast, aren't they? No sooner does J.K. publish the Rita Skeeter article about the Quidditch World Cup and someone has already updated the Wiki entry for Hannah Abbott to include the details related to "Hannah" included in the Skeeter piece.

But are they right to do so? The citation for the information added to the Hannah Abbott Wiki entry is the Skeeter piece, according to the site, but I have to figure there is more than one Hannah in the magical community. And Skeeter omits any reference to the birth name of "Hannah" in her article.

So how can they be so sure that Neville Longbottom, in fact, married Hannah Abbott, rather than some other Hannah (Smith, Jones, Leduc, Jeudesor)?

And why do the entry editors assume that whatever Hannah Neville married would take his last name in place of her own? They refer to her as "Hannah Longbottom (nee Abbott)" in the entry. Why make that assumption?

And why do they describe her as the "landlady of the Leaky Cauldron" in the Wiki entry? The Skeeter article merely says that Neville and Hannah "lived above the Leaky Cauldron"; it makes no mention of her having been the landlady (and, therefore, owner) of the pub.

Don't get me wrong. I think the Harry Potter Wiki is an amazing resource and I respect the work that went into creating (and still goes into maintaining and updating) it.

But this update of Hannah Abbott's entry causes me some concern about the accuracy of all of the other entries as well.

I shall have to take the information included on the Wiki with a grain of salt from now on, won't I?

On the other hand, when I read in the Skeeter article that Neville had married a woman named Hannah, I too immediately thought of Ms. Abbott. But the Skeeter article certainly falls far short of confirming that the Neville's partner is indeed Hannah Abbott.

Monday, November 21, 2011

That's the spirit, dear

The Prisoner of Azkaban has produced another one of those nice but unobtrusive moments that I love so much.

Early in the book, Harry finds himself staying in a room at the Leaky Cauldron for the last two weeks of the summer. When he first stands in front of the mirror in the room, he tries to smooth his unruly hair and the mirror says, in a wheezy voice, "You're fighting a losing battle there, dear".

That, in itself, is a funny little moment. Mirrors talk in the magical world.

Even better, however, is a moment nine pages later, after we've already forgotten about the talking mirror. Harry thinks about the fact that Sirius Black has apparently escaped Azkaban to find and kill him and declares, "I'm not going to be murdered."

To which the mirror responds, in a sleeping voice, "That's the spirit, dear."

The mirror's response surprises me every time I read the book. And it makes me laugh out loud.

It's a great moment, a fun moment at a point in the novel when the tension is just starting to build. Great writing.