This will show you how really attentive a reader I am -- I just realized, as I re-read the first chapter of The Order of the Phoenix for the 20-somethingth time, that Dolores Umbridge sent the Dementors to Little Whinging to kill Harry Potter on that hot summer night.
She wasn't playing around. She took it upon herself, without any consultation with Cornelius Fudge or anyone else, to send the most heinous of magical creatures into Surrey to kill an innocent 15-year-old boy who had committed no crime but witness the rebirth of the Dark Lord and return to tell about it.
Woweee.
I mean, these Dementors meant business. They arrived, attacked and were ready to perform the Kiss on Dudley, an even more innocent bystander in all this, without wasting any time at all.
We only learn at the end of the novel that it was Umbridge who, on her own initiative, sent them to attack Harry but, in retrospect, this action says a great deal about this delightful lady.
She could not have known that Harry was so capable with the old Patronus Charm. We can't give her the benefit of the doubt by arguing that she sent the Dementors to force Harry to perform magic so that the Ministry would then have some grounds to snap his wand and expel him from Hogwarts.
She was trying to kill him.
Why? For upsetting Fudge? For making him look bad?
Is it possible that Umbridge is actually a Death Eater who is simply never identified as such? That she is acting on the Dark Lord's orders, trying to kill the Boy Who Lived after Voldemort failed to do so in the graveyard?
If she isn't a Death Eater, Doesn't her decision to try to have the Dementors kill Harry seem like a bit of an over-reaction under the circumstances? To kill Harry just because he represents the only real evidence available that Voldemort has returned?
Friday, June 10, 2016
Tuesday, June 7, 2016
Casting aspersions -- Race and the Cursed Child
Some people on social media don't seem to like the idea of a black Hermione.
As you are no doubt aware, when J.K. Rowling's new post-Voldemort play, Harry Potter and the Cursed Child, debuts in London's west end this summer, it will feature respected actress Noma Dumezweni in the role of the adult Hermione Granger.
The uproar is because of the colour of Ms. Dumezweni's skin. They have taken to social media to express their outrage that a black actress has been cast in the role. Hermione, the complainers state, is white -- she is described as white in the books, she's portrayed as white in the films, that means she's white.
As "proof", they point out that, in one scene in the books at least, Hermione's face is described as having "turned white" in response to a shock, which they feel is definitive proof that the character is written as being white.
Rowling rebuts the assertion that the Hermione of her canonical novels is described as white by pointing out that physical descriptions of the character in the books lend themselves to any number of racial makeups, not just white. Further, she points out that she never once states categorically that Hermione, or any other character for that matter, is Caucasian.
If I recall correctly, some segments of social media were also outraged when actress Willow Smith, an African-American, was cast as the character Rue, an angelic and highly sympathetic young girl, in the first Hunger Games movie.
The whole argument makes me very sad, both that people out there have to get up in arms about these casting decisions and that Rowling herself feels the need to wade in to take them on.
I wish I could believe that the people who protest having Noma Dumezweni in the role of the adult Hermione or Willow Smith in the role of Rue were expressing their outrage because they are genuinely concerned with the sanctity of canon, genuinely interested in ensuring that the new versions stayed true to the original books.
After all, I myself get hung up sometimes in how the stories I love are changed, and not often for the better, when they are adapted to the movie media. It's never on the issue of the race of the actors cast, mind you, but still, I do resent when film adaptations make changes to the original simply for the sake of change.
But it's not loyalty that I see here. After all, I didn't see the same uproar when the filmmakers made hundreds, nay thousands of changes to the original Harry Potter books in making their eight movies. We didn't see protests about how Neville was changed, or what happened with Luna, or Snape or Dumbledore or... Well, you get the picture.
What seems to me to be going on here is, as Rowling recently said, racism pure and simple.
The issue does not seem to be that a character who was, whether legitimately or not, thought to be white in the original book is portrayed by a black actor/actress. The issue seems to me to be that a beloved, noble, admirable, sympathetic, leading character who was, whether legitimately or not, thought to be white in the original book is portrayed by a black actor/actress.
Further, I wonder if the mere fact that the character in question was a beloved, noble, admirable, sympathetic, leading character didn't actually influence these readers into believing, despite significant evidence to the contrary (in the case of Rue) or no real evidence either way (in the case of Hermione), that the character was written originally as white.
In other words, if we love the character, she must be white. If we find her noble, admirable or sympathetic, she can't be black.
Others have presented this question even more starkly, suggesting that the people complaining about the casting of Rue as an African-American were thinking: "I cried when this character died -- I would never cry at the death of a black character, therefore she cannot be black."
It gets scary, doesn't it?
The racism seems to be so deeply ingrained that at least some of the people complaining about the black Hermione might not even recognize the racist roots of their feelings.
I don't really have any hope of seeing Harry Potter and the Cursed Child, with Noma Dumezweni in the role of the adult Hermione, but I really wish I could. I expect the play to have a fantastic run in London's west end and I hope to see it mounted, with diverse actors, in Canada soon.
As you are no doubt aware, when J.K. Rowling's new post-Voldemort play, Harry Potter and the Cursed Child, debuts in London's west end this summer, it will feature respected actress Noma Dumezweni in the role of the adult Hermione Granger.
The uproar is because of the colour of Ms. Dumezweni's skin. They have taken to social media to express their outrage that a black actress has been cast in the role. Hermione, the complainers state, is white -- she is described as white in the books, she's portrayed as white in the films, that means she's white.
As "proof", they point out that, in one scene in the books at least, Hermione's face is described as having "turned white" in response to a shock, which they feel is definitive proof that the character is written as being white.
Rowling rebuts the assertion that the Hermione of her canonical novels is described as white by pointing out that physical descriptions of the character in the books lend themselves to any number of racial makeups, not just white. Further, she points out that she never once states categorically that Hermione, or any other character for that matter, is Caucasian.
If I recall correctly, some segments of social media were also outraged when actress Willow Smith, an African-American, was cast as the character Rue, an angelic and highly sympathetic young girl, in the first Hunger Games movie.
The whole argument makes me very sad, both that people out there have to get up in arms about these casting decisions and that Rowling herself feels the need to wade in to take them on.
I wish I could believe that the people who protest having Noma Dumezweni in the role of the adult Hermione or Willow Smith in the role of Rue were expressing their outrage because they are genuinely concerned with the sanctity of canon, genuinely interested in ensuring that the new versions stayed true to the original books.
After all, I myself get hung up sometimes in how the stories I love are changed, and not often for the better, when they are adapted to the movie media. It's never on the issue of the race of the actors cast, mind you, but still, I do resent when film adaptations make changes to the original simply for the sake of change.
But it's not loyalty that I see here. After all, I didn't see the same uproar when the filmmakers made hundreds, nay thousands of changes to the original Harry Potter books in making their eight movies. We didn't see protests about how Neville was changed, or what happened with Luna, or Snape or Dumbledore or... Well, you get the picture.
What seems to me to be going on here is, as Rowling recently said, racism pure and simple.
The issue does not seem to be that a character who was, whether legitimately or not, thought to be white in the original book is portrayed by a black actor/actress. The issue seems to me to be that a beloved, noble, admirable, sympathetic, leading character who was, whether legitimately or not, thought to be white in the original book is portrayed by a black actor/actress.
Further, I wonder if the mere fact that the character in question was a beloved, noble, admirable, sympathetic, leading character didn't actually influence these readers into believing, despite significant evidence to the contrary (in the case of Rue) or no real evidence either way (in the case of Hermione), that the character was written originally as white.
In other words, if we love the character, she must be white. If we find her noble, admirable or sympathetic, she can't be black.
Others have presented this question even more starkly, suggesting that the people complaining about the casting of Rue as an African-American were thinking: "I cried when this character died -- I would never cry at the death of a black character, therefore she cannot be black."
It gets scary, doesn't it?
The racism seems to be so deeply ingrained that at least some of the people complaining about the black Hermione might not even recognize the racist roots of their feelings.
I don't really have any hope of seeing Harry Potter and the Cursed Child, with Noma Dumezweni in the role of the adult Hermione, but I really wish I could. I expect the play to have a fantastic run in London's west end and I hope to see it mounted, with diverse actors, in Canada soon.
Saturday, May 28, 2016
Spare parts and Diggory's death
Death is a part of Harry Potter. We all know that. The entire series of novels is set into motion by the brutal murder of Lily and James Potter and an almost unspeakably ruthless act -- the attempt to murder an infant, just over a year old.
I would argue, however, that it is the matter-of-fact, entirely needless murder of Cedric Diggory at the end of book four that provides the series its most brutal moment.
Diggory does not need to die. Rowling could have spared him simply by having him touch the Tri-Wizard Cup a split second later than Harry and get left behind in the maze while Harry is hurtled hundreds of miles to the graveyard to face the Dark Lord. Voldemort could have spared Diggory simply by ordering Wormtail to stun him and forget about him, rather than kill him. Wormtail could have refused to kill him, could have chosen to stun Diggory simply because his murder is such a brutal, needless, cruel act.
Diggory's death is not necessary to the rest of the plot of The Goblet of Fire. After Harry brings his body back to Hogwarts, we see one immediate scene as the shock of Diggory's murder spreads through the crowd and sends his father into grieving hysterics, but no plot point, no future development hinges on Diggory being dead.
Diggory's death is important, however, and perhaps my comment above that "Diggory does not need to die" is not entirely accurate. Cedric dies because Rowling needs to send a clear, ruthless message -- to the characters who are on the side of good in the books and to us as readers -- that Voldemort is back and as brutal as he ever was. With this scene in the graveyard, everything changes.
We are no longer reading simple young-adult fiction where, if death occurs, it occurs off stage, it is crucial to the plot and it occurs for a reason. No, we're reading stories about the most evil sorcerer the world has ever seen, under whose rule death is a common-place, everyday thing, death occurs as often and as casually as the arrival of the owl post, the teaching of classes, the eating of meals.
When Voldemort, still in his almost powerless, infant form, hisses to Wormtail, "Kill the spare," the universe changes. We, as readers, learn that Rowling will pull no punches from here on out. Evil will be evil in every sense of the word. And we learn that Voldemort's cruelty knows no bounds. He will kill with impunity, almost without thought, certainly without remorse. And finally, we learn that Voldemort's followers will carry out his most cruel, most senseless orders without question, without consideration of morality.
And the word "spare" is important. It hits us like a hammer. In the Dark Lord's mind, Cedric Diggory is not a young man, filled with hope of a bright future, kind, funny, handsome, beloved by his family and his friends... he is a spare part to the story, an accidental element that must be swept aside for Voldemort to achieve his goals.
In the French translation, Voldemort hisses "Tue l'autre". This translates, as far as I understand, as "Kill the other". It makes sense, sure, but I'm not sure it has the impact of "Kill the spare." I'm not sure it sends the same ruthless message.
I would argue, however, that it is the matter-of-fact, entirely needless murder of Cedric Diggory at the end of book four that provides the series its most brutal moment.
Diggory does not need to die. Rowling could have spared him simply by having him touch the Tri-Wizard Cup a split second later than Harry and get left behind in the maze while Harry is hurtled hundreds of miles to the graveyard to face the Dark Lord. Voldemort could have spared Diggory simply by ordering Wormtail to stun him and forget about him, rather than kill him. Wormtail could have refused to kill him, could have chosen to stun Diggory simply because his murder is such a brutal, needless, cruel act.
Diggory's death is not necessary to the rest of the plot of The Goblet of Fire. After Harry brings his body back to Hogwarts, we see one immediate scene as the shock of Diggory's murder spreads through the crowd and sends his father into grieving hysterics, but no plot point, no future development hinges on Diggory being dead.
Diggory's death is important, however, and perhaps my comment above that "Diggory does not need to die" is not entirely accurate. Cedric dies because Rowling needs to send a clear, ruthless message -- to the characters who are on the side of good in the books and to us as readers -- that Voldemort is back and as brutal as he ever was. With this scene in the graveyard, everything changes.
We are no longer reading simple young-adult fiction where, if death occurs, it occurs off stage, it is crucial to the plot and it occurs for a reason. No, we're reading stories about the most evil sorcerer the world has ever seen, under whose rule death is a common-place, everyday thing, death occurs as often and as casually as the arrival of the owl post, the teaching of classes, the eating of meals.
When Voldemort, still in his almost powerless, infant form, hisses to Wormtail, "Kill the spare," the universe changes. We, as readers, learn that Rowling will pull no punches from here on out. Evil will be evil in every sense of the word. And we learn that Voldemort's cruelty knows no bounds. He will kill with impunity, almost without thought, certainly without remorse. And finally, we learn that Voldemort's followers will carry out his most cruel, most senseless orders without question, without consideration of morality.
And the word "spare" is important. It hits us like a hammer. In the Dark Lord's mind, Cedric Diggory is not a young man, filled with hope of a bright future, kind, funny, handsome, beloved by his family and his friends... he is a spare part to the story, an accidental element that must be swept aside for Voldemort to achieve his goals.
In the French translation, Voldemort hisses "Tue l'autre". This translates, as far as I understand, as "Kill the other". It makes sense, sure, but I'm not sure it has the impact of "Kill the spare." I'm not sure it sends the same ruthless message.
Thursday, May 19, 2016
Decisions, descisions: what if Harry had failed at the second task?
J.K. Rowling writes suspense scenes very very well. Even after more than 20 readings, there are still sections of her books that I simply cannot force myself to read slowly. I get so caught up in the suspense, I just fly through the section.
One such passage is the part in The Goblet of Fire where Harry, Hermione and Ron rush to figure out a way for Harry to gain the ability to breathe under water for at least an hour for the second task of the TriWizard Tournament. As you will recall, the three work desperately together in the library for about a month, then, the day before the task, Hermione and Ron are called away and Harry continues to research, even as the final hours before the task fly past.
Finally, Dobby saves the day, first by waking Harry in the library ten minutes before the task is to begin and second by providing Harry with the magic plant gillyweed, that gives him gills.
After dashing through the section, however, and forcing myself to start to get ready for work, it occurred to me: what if J.K. had decided to let Harry fail on this task? Would it have made any difference at all to the outcome of the book?
As a writer of middling success, I am fascinated by the writing process of talented and successful authors. I am amazed at the number of decisions writers have to make with almost every paragraph of their books, decisions that will have a significant impact on the rest of the novel.
So we have Ms. Rowling, planning out her fourth Harry Potter novel, and deciding: Harry has to be successful in all three tasks; he has to be the fastest to get the egg from the dragon; he has to show his moral fiber in completing the second task; and he has to agree to a tie with Cedric Diggory at the end of the third task.
The book is fantastic so I have no quibble with these decisions but... how would the book have changed if J.K. had decided to have Harry fail in task one or two or both?
The structure of the third task is such that even a failure in one of the two earlier tasks does not eliminate a champion from the competition. Fleur does not complete the second task but the result is only that she is penalized in having to wait to enter into the maze for the third task until some time after the competition leaders, Harry and Cedric, have already gone in.
Fleur still has a chance to win.
Dobby comes through and saves the day for Harry in the second task. But what if he had not done so? What if Harry had been forced to go to the lake, stick his head under the water and yell at the MerPeople to release Ron, as Ron had suggested earlier?
Clearly, we would lose Harry`s demonstration of moral fiber in deciding to sacrifice time at the bottom of the lake in order to save all of the captured kids. But we would also lose the questionable decision of the judges to award him extra points for his moral fiber, since the rules of the Tournament never mentioned anything about the possibility of such extra points being earned. Who knows, if Cedric or Viktor or Fleur had known that such points were available, they might have approached the task differently.
I have never been comfortable with this arbitrary awarding of points in the second task so, from my point of view, it would have been nice if it could have been avoided.
Had Harry failed in the second task, he would have been the last to enter the maze for the third task. He would have followed Cedric, Viktor and Fleur into the bushes. But is that so big a deal? He would still have been able to make up the time, especially since Viktor falls victim to a spell and Fleur falls victim to Viktor. All Harry would have had to do was catch up to Cedric. No problem in a maze of this kind.
I would think further that, had Harry failed at the second task, the pressure would have been on Barty Crouch Junior to be even more aggressive in intervening in the third task to make sure Harry got to the Goblet-Port Key first. That might have made the third task even more exciting.
My best guess is that Rowling treated each task as a separate little plot that required its own conflict, its own rising action and suspense, its own crisis point and its own climax. Further, she must have felt that, given the extremely unhappy resolution to the entire novel (Cedric is dead and Voldemort has returned to full power), she wanted to have the first two mini-plots resolve in positive ways (Harry is successful in each of the first two tasks) so as to make the final scenes in the graveyard and Harry`s ultimate failure (to save Cedric and to stop Voldemort) that much more surprising and effective.
It`s a brilliant strategy -- as the novel develops, Rowling puts a series of significant obstacles in Harry`s way and permits him to overcome them successfully, creating a false sense of security and positive energy entering the final task and the triumph of evil over good in the graveyard scene.
Still, I wonder if Rowling ever considered letting Harry fail at one of the early tasks, of ramping up the pressure on him (Fleur would feel vindicated in her belief that he was too young, Cedric supporters would be even more aggressive, Slytherin people even more nasty, Rita Skeeter would have had even more about which to write, Harry`s supporters would have been even more under pressure to buoy his spirits and Barty Crouch Junior even more desperate to get Harry to the finish line).
That`s the wonderful, challenging thing about the creative art of writing -- every decision the writer makes impacts the novel in significant, often unexpected ways.
One such passage is the part in The Goblet of Fire where Harry, Hermione and Ron rush to figure out a way for Harry to gain the ability to breathe under water for at least an hour for the second task of the TriWizard Tournament. As you will recall, the three work desperately together in the library for about a month, then, the day before the task, Hermione and Ron are called away and Harry continues to research, even as the final hours before the task fly past.
Finally, Dobby saves the day, first by waking Harry in the library ten minutes before the task is to begin and second by providing Harry with the magic plant gillyweed, that gives him gills.
After dashing through the section, however, and forcing myself to start to get ready for work, it occurred to me: what if J.K. had decided to let Harry fail on this task? Would it have made any difference at all to the outcome of the book?
As a writer of middling success, I am fascinated by the writing process of talented and successful authors. I am amazed at the number of decisions writers have to make with almost every paragraph of their books, decisions that will have a significant impact on the rest of the novel.
So we have Ms. Rowling, planning out her fourth Harry Potter novel, and deciding: Harry has to be successful in all three tasks; he has to be the fastest to get the egg from the dragon; he has to show his moral fiber in completing the second task; and he has to agree to a tie with Cedric Diggory at the end of the third task.
The book is fantastic so I have no quibble with these decisions but... how would the book have changed if J.K. had decided to have Harry fail in task one or two or both?
The structure of the third task is such that even a failure in one of the two earlier tasks does not eliminate a champion from the competition. Fleur does not complete the second task but the result is only that she is penalized in having to wait to enter into the maze for the third task until some time after the competition leaders, Harry and Cedric, have already gone in.
Fleur still has a chance to win.
Dobby comes through and saves the day for Harry in the second task. But what if he had not done so? What if Harry had been forced to go to the lake, stick his head under the water and yell at the MerPeople to release Ron, as Ron had suggested earlier?
Clearly, we would lose Harry`s demonstration of moral fiber in deciding to sacrifice time at the bottom of the lake in order to save all of the captured kids. But we would also lose the questionable decision of the judges to award him extra points for his moral fiber, since the rules of the Tournament never mentioned anything about the possibility of such extra points being earned. Who knows, if Cedric or Viktor or Fleur had known that such points were available, they might have approached the task differently.
I have never been comfortable with this arbitrary awarding of points in the second task so, from my point of view, it would have been nice if it could have been avoided.
Had Harry failed in the second task, he would have been the last to enter the maze for the third task. He would have followed Cedric, Viktor and Fleur into the bushes. But is that so big a deal? He would still have been able to make up the time, especially since Viktor falls victim to a spell and Fleur falls victim to Viktor. All Harry would have had to do was catch up to Cedric. No problem in a maze of this kind.
I would think further that, had Harry failed at the second task, the pressure would have been on Barty Crouch Junior to be even more aggressive in intervening in the third task to make sure Harry got to the Goblet-Port Key first. That might have made the third task even more exciting.
My best guess is that Rowling treated each task as a separate little plot that required its own conflict, its own rising action and suspense, its own crisis point and its own climax. Further, she must have felt that, given the extremely unhappy resolution to the entire novel (Cedric is dead and Voldemort has returned to full power), she wanted to have the first two mini-plots resolve in positive ways (Harry is successful in each of the first two tasks) so as to make the final scenes in the graveyard and Harry`s ultimate failure (to save Cedric and to stop Voldemort) that much more surprising and effective.
It`s a brilliant strategy -- as the novel develops, Rowling puts a series of significant obstacles in Harry`s way and permits him to overcome them successfully, creating a false sense of security and positive energy entering the final task and the triumph of evil over good in the graveyard scene.
Still, I wonder if Rowling ever considered letting Harry fail at one of the early tasks, of ramping up the pressure on him (Fleur would feel vindicated in her belief that he was too young, Cedric supporters would be even more aggressive, Slytherin people even more nasty, Rita Skeeter would have had even more about which to write, Harry`s supporters would have been even more under pressure to buoy his spirits and Barty Crouch Junior even more desperate to get Harry to the finish line).
That`s the wonderful, challenging thing about the creative art of writing -- every decision the writer makes impacts the novel in significant, often unexpected ways.
Friday, May 13, 2016
Viktor goes for an icy swim
I am a huge Harry Potter fan (why else would I have this blog?).
I have read each of the seven Harry Potter novels at least 20 times and likely more often. I have listened to the novels on CD several times and am now in the process of reading them again in their French translations. I have watched the eight movies numerous times too.
You would think that, after all that, it would not be possible for me to learn something new about the stories in a subsequent re-reading.
Well, you would be wrong to think that.
I am currently reading The Goblet of Fire in French. It's great. It's fun and face-paced and the first really complicated, more adult of the novels.
I am at the point in the novel where Rita Skeeter has revealed to the wizarding world Hagrid's scandalous secret -- that he is a half-giant. Hagrid is in hiding. Harry decides he wants to go to Hogsmeade on the Saturday in hopes of finding his massive friend and telling him to stop being silly and to come back to work.
As Harry, Hermione and Ron walk across the frigid grounds of Hogwarts towards the gates, they see Viktor Krum emerge onto the deck of the Durmstrang ship, strip down to his bathing suit and dive into the icy waters of the school's lake. In response to Harry's expression of shock at Krum's decision to brave the cold, Hermione explains that Durmstrang is located in a much colder climate and that Krum probably finds the water to be quite temperate.
And off they go to Hogsmeade, Krum's odd behavior drifting from their minds -- and from mine as well.
Did you know that, after all my readings of the novel, this is the first time I made the connection that Krum's decision to go for a swim must be connected to the clue in the golden egg for the second task? That he might just be out for a swim to explore the lake and perhaps scout out the path to the Merpeople's village?
I permitted Hermione (and Rowling) to convince me it was just quirky behavior on the part of the Durmstrang champion and to think nothing further of it.
How clever are they? How stupid am I to be so easily led astray? And what of Harry?
Cedric Diggory has already given him the cryptic clue about taking the egg into the bath, a clue neither Harry nor we as readers are ready to accept as being legitimate and honest.
And here is a second champion making a very strange decision, one that is also directly related to immersing oneself in water.
I can't believe I missed this. I can't believe Harry missed it. If Harry had shared Cedric's hint with Hermione, I am sure she would have connected the dots and pointed out to Harry that Krum's mid-winter swim must be related to the egg and the second task.
So, while I find myself amazed that I have failed to make this connection until now, I am somewhat comforted by the fact that Harry didn't make the connection either.
Once Krum worked out the clue, his ability to swim in the cold winter water of the Hogwart's lake must have given him a distinct advantage over the other champions in that he had months to explore the lake and plan his strategy.
It seems so obvious now...
I have read each of the seven Harry Potter novels at least 20 times and likely more often. I have listened to the novels on CD several times and am now in the process of reading them again in their French translations. I have watched the eight movies numerous times too.
You would think that, after all that, it would not be possible for me to learn something new about the stories in a subsequent re-reading.
Well, you would be wrong to think that.
I am currently reading The Goblet of Fire in French. It's great. It's fun and face-paced and the first really complicated, more adult of the novels.
I am at the point in the novel where Rita Skeeter has revealed to the wizarding world Hagrid's scandalous secret -- that he is a half-giant. Hagrid is in hiding. Harry decides he wants to go to Hogsmeade on the Saturday in hopes of finding his massive friend and telling him to stop being silly and to come back to work.
As Harry, Hermione and Ron walk across the frigid grounds of Hogwarts towards the gates, they see Viktor Krum emerge onto the deck of the Durmstrang ship, strip down to his bathing suit and dive into the icy waters of the school's lake. In response to Harry's expression of shock at Krum's decision to brave the cold, Hermione explains that Durmstrang is located in a much colder climate and that Krum probably finds the water to be quite temperate.
And off they go to Hogsmeade, Krum's odd behavior drifting from their minds -- and from mine as well.
Did you know that, after all my readings of the novel, this is the first time I made the connection that Krum's decision to go for a swim must be connected to the clue in the golden egg for the second task? That he might just be out for a swim to explore the lake and perhaps scout out the path to the Merpeople's village?
I permitted Hermione (and Rowling) to convince me it was just quirky behavior on the part of the Durmstrang champion and to think nothing further of it.
How clever are they? How stupid am I to be so easily led astray? And what of Harry?
Cedric Diggory has already given him the cryptic clue about taking the egg into the bath, a clue neither Harry nor we as readers are ready to accept as being legitimate and honest.
And here is a second champion making a very strange decision, one that is also directly related to immersing oneself in water.
I can't believe I missed this. I can't believe Harry missed it. If Harry had shared Cedric's hint with Hermione, I am sure she would have connected the dots and pointed out to Harry that Krum's mid-winter swim must be related to the egg and the second task.
So, while I find myself amazed that I have failed to make this connection until now, I am somewhat comforted by the fact that Harry didn't make the connection either.
Once Krum worked out the clue, his ability to swim in the cold winter water of the Hogwart's lake must have given him a distinct advantage over the other champions in that he had months to explore the lake and plan his strategy.
It seems so obvious now...
Friday, May 6, 2016
18 years later, still a waiting list
I was standing in the local public library today on my lunch hour, checking out the books on offer at their standing book sale, when I heard the following conversation:
Staff Member: "No, The Philosopher's Stone is the first one."
Man with small child: "Oh, then which is the second one?"
Staff Member: "The second one? That's The Chamber of Secrets."
Man with small child: "Then that's the one I want."
Staff Member, checking her computer: "Sorry, sir, all copies of The Chamber of Secrets are currently out with clients. Would you like to go on a waiting list?"
My jaw dropped for two reasons: 1) that there could be a single person in the English-speaking world who doesn't already know the titles of the Harry Potter books in their proper order (smile); and 2) that 18 years after it was published, The Chamber of Secrets is still in such demand at my local public library that there is a waiting list to borrow it.
I think it is great that the Harry Potter novels continue to be popular, both in book stores and in libraries. I would think that most successful books are released, enjoy a period of popularity in book stores, a longer period of popularity in libraries, then fade away again, only to re-emerge if and when they are made into movies.
But J.K. Rowling's novels seem to be maintaining a high level of popularity even 18 years after they were published!
I also think it's neat that the man who was inquiring about the Harry Potter books seemed to be about 30 years old and his son maybe 4 or 5. That means that a guy who perhaps read HP when he was 12 is getting ready to read them again, perhaps with his own child, two decades later.
I had to stop myself from rushing over and offering the man a sermon on the wonders of Harry Potter, telling myself to be satisfied with the knowledge that Harry Potter lives on.
Staff Member: "No, The Philosopher's Stone is the first one."
Man with small child: "Oh, then which is the second one?"
Staff Member: "The second one? That's The Chamber of Secrets."
Man with small child: "Then that's the one I want."
Staff Member, checking her computer: "Sorry, sir, all copies of The Chamber of Secrets are currently out with clients. Would you like to go on a waiting list?"
My jaw dropped for two reasons: 1) that there could be a single person in the English-speaking world who doesn't already know the titles of the Harry Potter books in their proper order (smile); and 2) that 18 years after it was published, The Chamber of Secrets is still in such demand at my local public library that there is a waiting list to borrow it.
I think it is great that the Harry Potter novels continue to be popular, both in book stores and in libraries. I would think that most successful books are released, enjoy a period of popularity in book stores, a longer period of popularity in libraries, then fade away again, only to re-emerge if and when they are made into movies.
But J.K. Rowling's novels seem to be maintaining a high level of popularity even 18 years after they were published!
I also think it's neat that the man who was inquiring about the Harry Potter books seemed to be about 30 years old and his son maybe 4 or 5. That means that a guy who perhaps read HP when he was 12 is getting ready to read them again, perhaps with his own child, two decades later.
I had to stop myself from rushing over and offering the man a sermon on the wonders of Harry Potter, telling myself to be satisfied with the knowledge that Harry Potter lives on.
Tuesday, April 26, 2016
From love interests to mother figures to school marms
I have to tread carefully here. I don't want to stir up a hornet's nest. As all of the other 300 or so posts on this blog will prove, I have a great deal of admiration and respect for J.K. Rowling and I don't want anything I say here to suggest otherwise.
But... I can't help but feeling that her portrayal of female characters in The Goblet of Fire is somewhat problematic.
There, I said it. Sorry.
Hear me out on this. I think we can all agree that the Harry Potter series is overwhelming male in its main characters. Two out of three of the central child characters are male. The main mentor characters for Harry are all male (Albus Dumbledore, Sirius Black, Remus Lupin, Rubeus Hagrid among them). The central villains are all male: from Dudley and Draco, to Quirrell and Lucius, to Voldemort, Snape and Peter Pettigrew.
Yes, there is Hermione... but, in Goblet, Harry admits that having Hermione as a friend is fine but is nothing compared to having Ron at his side. Read the passage that follows immediately upon Harry's successful completion of the first task of the Tri-Wizard Tournament. Though Hermione has stood staunchly by him through the trying past several months (while Ron has abandoned him in a fit of jealousy), Harry only has eyes for Ron when their relationship is suddenly repaired. In fact, Rowling herself completely writes Hermione out of the next several scenes.
Yes, there is McGonagall. But her role is almost always secondary to Dumbledore's role. In many cases, she is reduced to playing the stern school marm.
Yes, there is Mrs. Weasley. But her role is almost always secondary to that of Mr. Weasley and her boys. In almost all cases, she is reduced to playing the doting mother.
Yes, there is Bellatrix Lestrange. But she is never anything more than a lieutenant in Voldemort's army, overshadowed at first by Lucius Malfoy.
Cho Chang and Ginny Weasley are love interests and little more.
When you think about it, the three women who stand out most strongly as individuals in the entire series are Petunia Dursley, Luna Lovegood and Dolores Umbridge. And each of them plays a limited role overall.
If that's the background, let's look more closely at the depiction of women in The Goblet. Hermione plays a major role in preparing Harry for the first task but is then basically cast aside when Ron returns to the table. Hermione is left pursuing the house-elf rights subplot while Ron, Harry, Cedric, Mad-Eye, Crouch, Dumbledore, et al continue with the Tournament.
Even though she proves key to taming Rita Skeeter, the focus of the book with regard to Hermione is much more on her appearance (isn't she pretty now that she's shrunk her front teeth and put on a dress!), her romantic life and whether or not she is loyal to the boys. Even Mrs. Weasley turns on her in reaction to Rita Skeeter's fabricated article suggesting that Hermione has thrown over Harry in favour of Viktor. What ever happened to the strong relationship Hermione had developed with the Weasley family and the many instances in which she has proven herself to be a smart, capable and loyal friend to all?
The one female champion, Fleur, is a real disappointment in this book. She is portrayed as haughty and stuck up, known more for her looks than for her skills. Her performance in the first task is given short shrift while she fails to complete either the second or third tasks. Instead of coming across as a real threat to win the tournament, she is presented instead as a vain girl of limited talents who frets over her sister more than her own performance.
The fact that Hermione delights in Fleur's failures, going so far as to make fun of her for failing to get past the Grindylows, makes this portrayal all the more problematic.
Rita Skeeter is portrayed as a scheming, lying, deceitful abomination who will do anything to attract readers.
And don't even get me started on depiction of the idol-worshipping way the girls at Hogwarts react first toward Viktor Krum, then toward Cedric and finally to Harry when he proves himself in the first task.
The fact of the matter is that the female characters in this book gain their identities almost entirely as a result of their relationships with the male characters (they are loyal friends, love interests, mother figures, school marms) rather than as independent beings. This is not true of all of the Harry Potter novels but comes through very strongly, and disappointingly, in The Goblet.
But... I can't help but feeling that her portrayal of female characters in The Goblet of Fire is somewhat problematic.
There, I said it. Sorry.
Hear me out on this. I think we can all agree that the Harry Potter series is overwhelming male in its main characters. Two out of three of the central child characters are male. The main mentor characters for Harry are all male (Albus Dumbledore, Sirius Black, Remus Lupin, Rubeus Hagrid among them). The central villains are all male: from Dudley and Draco, to Quirrell and Lucius, to Voldemort, Snape and Peter Pettigrew.
Yes, there is Hermione... but, in Goblet, Harry admits that having Hermione as a friend is fine but is nothing compared to having Ron at his side. Read the passage that follows immediately upon Harry's successful completion of the first task of the Tri-Wizard Tournament. Though Hermione has stood staunchly by him through the trying past several months (while Ron has abandoned him in a fit of jealousy), Harry only has eyes for Ron when their relationship is suddenly repaired. In fact, Rowling herself completely writes Hermione out of the next several scenes.
Yes, there is McGonagall. But her role is almost always secondary to Dumbledore's role. In many cases, she is reduced to playing the stern school marm.
Yes, there is Mrs. Weasley. But her role is almost always secondary to that of Mr. Weasley and her boys. In almost all cases, she is reduced to playing the doting mother.
Yes, there is Bellatrix Lestrange. But she is never anything more than a lieutenant in Voldemort's army, overshadowed at first by Lucius Malfoy.
Cho Chang and Ginny Weasley are love interests and little more.
When you think about it, the three women who stand out most strongly as individuals in the entire series are Petunia Dursley, Luna Lovegood and Dolores Umbridge. And each of them plays a limited role overall.
If that's the background, let's look more closely at the depiction of women in The Goblet. Hermione plays a major role in preparing Harry for the first task but is then basically cast aside when Ron returns to the table. Hermione is left pursuing the house-elf rights subplot while Ron, Harry, Cedric, Mad-Eye, Crouch, Dumbledore, et al continue with the Tournament.
Even though she proves key to taming Rita Skeeter, the focus of the book with regard to Hermione is much more on her appearance (isn't she pretty now that she's shrunk her front teeth and put on a dress!), her romantic life and whether or not she is loyal to the boys. Even Mrs. Weasley turns on her in reaction to Rita Skeeter's fabricated article suggesting that Hermione has thrown over Harry in favour of Viktor. What ever happened to the strong relationship Hermione had developed with the Weasley family and the many instances in which she has proven herself to be a smart, capable and loyal friend to all?
The one female champion, Fleur, is a real disappointment in this book. She is portrayed as haughty and stuck up, known more for her looks than for her skills. Her performance in the first task is given short shrift while she fails to complete either the second or third tasks. Instead of coming across as a real threat to win the tournament, she is presented instead as a vain girl of limited talents who frets over her sister more than her own performance.
The fact that Hermione delights in Fleur's failures, going so far as to make fun of her for failing to get past the Grindylows, makes this portrayal all the more problematic.
Rita Skeeter is portrayed as a scheming, lying, deceitful abomination who will do anything to attract readers.
And don't even get me started on depiction of the idol-worshipping way the girls at Hogwarts react first toward Viktor Krum, then toward Cedric and finally to Harry when he proves himself in the first task.
The fact of the matter is that the female characters in this book gain their identities almost entirely as a result of their relationships with the male characters (they are loyal friends, love interests, mother figures, school marms) rather than as independent beings. This is not true of all of the Harry Potter novels but comes through very strongly, and disappointingly, in The Goblet.
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