Viktor goes for an icy swim

I am a huge Harry Potter fan (why else would I have this blog?).


I have read each of the seven Harry Potter novels at least 20 times and likely more often. I have listened to the novels on CD several times and am now in the process of reading them again in their French translations. I have watched the eight movies numerous times too.


You would think that, after all that, it would not be possible for me to learn something new about the stories in a subsequent re-reading.


Well, you would be wrong to think that.


I am currently reading The Goblet of Fire in French. It's great. It's fun and face-paced and the first really complicated, more adult of the novels.


I am at the point in the novel where Rita Skeeter has revealed to the wizarding world Hagrid's scandalous secret -- that he is a half-giant. Hagrid is in hiding. Harry decides he wants to go to Hogsmeade on the Saturday in hopes of finding his massive friend and telling him to stop being silly and to come back to work.


As Harry, Hermione and Ron walk across the frigid grounds of Hogwarts towards the gates, they see Viktor Krum emerge onto the deck of the Durmstrang ship, strip down to his bathing suit and dive into the icy waters of the school's lake. In response to Harry's expression of shock at Krum's decision to brave the cold, Hermione explains that Durmstrang is located in a much colder climate and that Krum probably finds the water to be quite temperate.


And off they go to Hogsmeade, Krum's odd behavior drifting from their minds -- and from mine as well.


Did you know that, after all my readings of the novel, this is the first time I made the connection that Krum's decision to go for a swim must be connected to the clue in the golden egg for the second task? That he might just be out for a swim to explore the lake and perhaps scout out the path to the Merpeople's village?


I permitted Hermione (and Rowling) to convince me it was just quirky behavior on the part of the Durmstrang champion and to think nothing further of it.


How clever are they? How stupid am I to be so easily led astray? And what of Harry?


Cedric Diggory has already given him the cryptic clue about taking the egg into the bath, a clue neither Harry nor we as readers are ready to accept as being legitimate and honest.


And here is a second champion making a very strange decision, one that is also directly related to immersing oneself in water.


I can't believe I missed this. I can't believe Harry missed it. If Harry had shared Cedric's hint with Hermione, I am sure she would have connected the dots and pointed out to Harry that Krum's mid-winter swim must be related to the egg and the second task.


So, while I find myself amazed that I have failed to make this connection until now, I am somewhat comforted by the fact that Harry didn't make the connection either.


Once Krum worked out the clue, his ability to swim in the cold winter water of the Hogwart's lake must have given him a distinct advantage over the other champions in that he had months to explore the lake and plan his strategy.


It seems so obvious now...

Misdirection and manipulation from the fireplace

In my last post, I examined the passage in The Goblet of Fire wherein Barty Crouch, Jr., disguised as Mad-Eye Moody, explains in detail how he, himself, put Harry's name into the Goblet and why.

Today, I'd like to look at another brilliant conceived passage from the fourth book as an example of Rowling's skill, her cunning, as a writer.

I am talking about the scene where Harry consults with Sirius Black through the magic of fire-place communications. It's a beautifully written scene and it offers a great deal of information but, as usual, with a Rowling twist.

Sirius first tells Harry to be careful of Professor Karkaroff, the Durmstrang headmaster. He was, apparently, a Death Eater who then sold out many of his former mates in order to gain release from Azkaban. Without actually saying it, Sirius suggests to Harry that it must have been Karkaroff who put Harry's name in the Goblet.

It's a brilliant ruse, dropped in at this point to confuse us. Rowling trots out the perfect antagonist, one she has very carefully developed in our minds as being untrustworthy and rather nasty. It comes from a character we have come to trust and it points the finger of blame on a person we are absolutely ready to hate.

Next, Sirius tells Harry that he shouldn't simply accept that the attack on Mad-Eye Moody that took place the night before he came to Hogwarts, the attack to which Mr. Weasley had to respond, was a false attack, a creation of Moody's paranoia.

"I think someone tried stop him from getting to Hogwarts," Sirius tells Harry. "I think someone knew their jobs would be a lot more difficult with him around."

Another brilliant strategic move on the part of the author. Why? Because Sirius is absolutely right. The attack on Moody was real. The goal of the attack was to remove Moody from the picture entirely and make it easier for the perpetrator, Barty Crouch Jr., to get at Harry.

And yet, in one important detail, Sirius misses the mark. He assumes that the attack, while real, failed. We believe him, because we have been trained to believe him, because we have been manipulated to want to believe him. We believe that the attack was real but a failure.

So we emerge from this encounter with Sirius believing, as Harry does, that Moody is a good guy and that someone else, probably Karkaroff, is after Harry.

Rowling is a master of this kind of misdirection, of manipulation. She gives us so much information in such a subtle way that we don't see it for what it really is but for what she has carefully designed it to seem.

Brilliant. Wonderful. Wicked.

So that's what happened to Karkaroff

I have often commented on how impressed I am with J.K. Rowling's ability to juggle so many characters, so many locations, so much information about her invented magical world and yet maintain absolute consistency in it over the course of seven novels. The continuity mistakes are few and far between in her seven-book adventure.

She must either have a prodigious memory or an amazing filing system or both.

So I am not at all surprised that, after posing a question in this space some time ago about the fate of Professor Karkaroff (the Durmstrang Head Master who plays such a large role in The Goblet of Fire and then disappears late in the TriWizard Tournament, fleeing in fear when his Dark Mark begins to grow clearer), I find my answer early in The Half-Blood Prince.

Rowling didn't forget Karkaroff. No, she followed up on his story with her usual subtlety and grace.

One hundred pages into book six, she has Remus Lupin drop in for dinner at the Burrow with some updates on how the war is progressing.

"...they've found Igor Karkaroff's body in a shack up north," he says. "The Dark Mark had been set over it -- well, frankly, I'm surprised he stayed alive for even a year after deserting the Death Eaters; Sirius's brother Regulus only managed a few days as far as I can remember."

As is typical for J.K., she manages to connect one small piece of information from the past (tying up the Karkaroff loose end) with a much more important piece of information for the future: confirming that Regulus Black was a Death Eater, then had a change of mind, then died.

This will become very important later in The Half-Blood Prince.

Even more impressive is the fact that this one little comment foreshadows and comments upon the events of book seven. Lupin's point seems to be: unless you are Albus Dumbledore, if Voldemort wants you dead, your time remaining on earth is short.

So, in fact, he's commenting indirectly on how miraculous it is that Harry has survived this long and that Harry, Hermione and Ron manage to stay alive throughout the course of The Deathly Hallows, despite the fact that the Death Eaters, the Snatchers and the Ministry are all hunting for them and anyone who might be sympathetic to the trio is too afraid to help them.

Hermione comes of age

I'm not sure I have much to say in this entry other than I really like the way J.K. Rowling writes Hermione's "coming out party" in the form of the Yule Ball in The Goblet of Fire.

In the first three books, the descriptions of the young Ms. Granger were not particularly flattering. In fact, the first time we meet Hermione (aboard the Hogwarts Express in The Philosopher's Stone), she is described as follows: "She had a bossy sort of voice, lots of bushy brown hair and rather large front teeth."

The words "bossy", "bushy" and "large" used in this context do not make a for a very positive first impression.

And Rowling is very consistent throughout the first three books on these points: even though she becomes best friends with Harry and Ron, Hermione continues to be described as a bookish girl with bottlebrush hair and big teeth.

Things begin to change, however, in The Goblet of Fire. First, Rita Skeeter describes Hermione as "a stunningly pretty Muggle-born girl" in the Prophet article on Harry as a Triwizard Champion. Now, we have no evidence at that point that Skeeter had ever laid eyes on Hermione and Pansy Parkinson later undermines the description by shrieking "Stunningly pretty? Her?... What was she judging against -- a chipmunk?" so perhaps we shouldn't put a lot of stock in Skeeter's words but her article does represent the first time there is even a suggestion that Hermione might be growing into her looks.

Then comes the Yule Ball and the desperate search for dates. It is at this point that Rowling lets us in on a little secret: she had very cleverly used an earlier wand duel between Harry and Draco Malfoy as a mechanism to allow Hermione to "fix" her teeth.

As Ron points out, since Hermione returned from having Madame Pomfrey undo the damage Malfoy's curse had done, Hermione's teeth had become "straight and -- normal sized". Harry confirms this by commenting that Hermione's smile had indeed changed: "it was a very different smile to the one he remembered."

That's all great stuff and clever writing. But what I love most is the way Rowling sets up Hermione's grand coming out. First, she reminds us of how little romantic attention Hermione had been getting from anyone by having a very funny exchange where Ron and Harry have to admit that even they had failed to recognize that Hermione is, you know, a girl...

Then she establishes that someone has asked Hermione to the Yule Ball but no one, other than the couple itself, knows who her date will be. J.K. allows that mystery to deepen as Ron, in particular, obsesses about finding out who Hermione will be accompanying to the Ball.

Then Rowling has Hermione remove herself from the scene "to get ready for the ball" while the boys are still involved in a snow-ball fight. "What, you need three hours?" Ron gasps.

And finally, as the excitement builds and students gather in the Entrance Hall to wait for the Ball to begin, Hermione is nowhere to be seen. Where is Hermione? people wonder.

Then comes Rowling's topper: she has Hermione walk right into the Entrance Hall, on the arm of perhaps the second most famous student in attendance, and no one recognizes her.

"Krum was at the front of the party," Rowling writes, "accompanied by a pretty girl in blue robes Harry didn't know."

Fabulous.

Even better, when Harry looks again over at Krum moments later, his jaw drops.

The "pretty girl" with the Durmstrang champion is none other than Hermione.

"But she didn't look like Hermione at all," Rowling writes. No kidding.

And the reactions of the other students are absolutely precious: Parvati gazes at her with "unflattering disbelief", Pansy Parkinson "gaped at her" and Ron "walked right past Hermione without even noticing her."

It's a wonderful moment for Hermione and for Rowling. Beautifully written and entirely within character.

I have to admit, I did look up the timing of the writing of The Goblet of Fire in comparison to the filming of the Harry Potter movies to see if Rowling's decision to create a coming out party for Hermione in the fourth book was in any way related to the development into a lovely young woman of actor Emma Watson, who played the role of Hermione for the films.

Nope. There doesn't seem to be a connection. Rowling published The Goblet in 2000, the same year casting for the first Harry Potter movie was carried out. At that point in time, Emma Watson was still and awkward little girl, a perfect match for the Hermione of the early books.

Okay, maybe I did have a lot to say....

Wondering about the Durmstrang Headmaster

Whatever happened to Karkaroff? You remember him, the head of Durmstrang in The Goblet of Fire? What ever happened to him after that book?

He's an interesting character. We find out from Sirius that he was a big Death Eater but that, once imprisoned in Azkaban, he sold out other Voldemort's supporters in exchange for his release from prison. One of those he sold out was... Barty Crouch Jr.

But, unless I'm mistaken, after he disappears at the end of the Triwizard Tournament, Karkaroff never appears in the Harry Potter books again.

Is that right? Karkaroff simply disappears? Or am I missing something?

It's a great story line from Rowling but it makes you wonder how Crouch Jr., in Hogwarts in the guise of Mad-Eye Moody, doesn't succumb to the temptation to do exact vengeance on the man who sent him to Azkaban in the first place.

In all my readings of the Rowling books, I have never paid much attention to Karkaroff and his fate. I will have to be more attentive in the future. I have a feeling Rowling does drop a line into a later book that says what happens to the sinister Durmstrang headmaster but I cannot remember it now.

In The Goblet, Karkaroff serves many purposes, including giving J.K. a ready-made villain to throw at us as an easy explanation for the peril in which Harry finds himself. Who put my name in the Goblet, Harry wonders. Karkaroff, Sirius tells him. Who is trying to kill me? Karkaroff. Who is the biggest threat to me here? Karkaroff.

It's just like Rowling to use this kind of misdirection, to keep our attention on one possible threat while the real villain does a tap-dance right in front of us.

Interesting too that, other than coming to the conclusion that Karkaroff is the enemy rather than Mad-Eye Crouch Jr., Sirius has got most of the Voldemort's recent activities just about right. Sirius has connected Bertha Jorkin's disappearance in Albania with the Death-Eater activities at the World Cup with the other recent developments and come up, quite correctly, with Voldemort.

Again, it's just like J.K. to tell us exactly what's going on in such a way that we almost refuse to believe it.

Character introductions show J.K.'s mastery

One of the many things that stands out for me as I read The Goblet of Fire is the mastery with which J.K introduces us to new characters. Using carefully chosen adjectives to describe each one when they first appear, she guides (and often manipulates) our reaction to them.

Her skill is most noticeable when she introduces two characters in close proximity to whom she wants us to react very differently, like Ludo Bagman and Barty Crouch Sr. early in the book and then Professor Karkaroff and Madame Maxime later on.

Bagman receives a very kind, rather lengthy description when he first arrives, concluding with, "His nose was squashed (probably broken by a stray Bludger, Harry thought), but his round eyes, short blond hair and rosy complexion made him look like a very overgrown schoolboy." The man is immediately likeable from this description and his happy-go-lucky, boyish personality only adds to his attraction, both for us as readers and for the other characters in the book.

Three pages later, Rowling introduces Barty Crouch as a "contrast with Ludo Bagman": "Barty Crouch was a stiff, upright, elderly man, dressed in an impeccably crisp suit and tied. The parting in his short gray hair was almost unnaturally straight and his narrow toothbrush moustache looked as though he trimmed it using a slide-rule." Just look at some of the adjectives she uses in this description (stiff, crisp, unnatural, narrow); every one of them is intended to make a young reader dislike this man. I won't even go into the "slide-rule" description of his moustache: how many members of Rowling's target audience would even know what a "slide rule" is?

Ironic, isn't it, that Bagman turns out to be a bit of con-man, ripping off Fred and George after their winning bet and fleeing from Goblins trying to collect on a debt, while Crouch, though always stiff and unapproachable, ends up being a staunch, utterly trustworthy opponent of the Dark Arts who dies at the hands of his evil son?

Rowling carefully controls how we first react to these characters, only to completely undermine our impressions later in the book.

Later, J.K. introduces us to the two headmasters of Europe's magical schools: Madame Maxime and Professor Karkaroff. In this case, she plays it straight. The initial descriptions of the characters turn out to be accurate predictors of their behaviour.

Madam Maxime is described as "unnaturally large", with "a handsome, olive-skinned face, large, black, liquid looking eyes and a rather beaky nose. Her hair was drawn back in a shining knob at the base of her neck. She was dressed from head to foot in black satin, and many magnificent opals gleamed at her throat and on her thick fingers." She is later described as having a "gracious smile".

Okay, so it's not the most attractive description. I'm not sure the words "unnaturally", "liquid looking" or "beaky" are particularly favourable. But that is balanced out by the words "handsome", "magnificent" and "gracious", suggesting that Madame Maxime will prove a different sort of person, perhaps a difficult sort of person, but not without her positive qualities.

Now compare that to the first description J.K. gives us of the head of Durmstrang: "Karkaroff had a fruity, unctuous voice; when he stepped into the light pouring from the front doors of the castle, they saw that he was tall and thin like Dumbledore, but his white hair was short, his goatee (finishing with a slight curl) did not entirely hide his rather weak chin." She continues the description several lines later with this "his teeth were rather yellow, and Harry noticed that his smile did not extend to his eyes, which remained cold and shrewd."

I will leave out the objectionable use of the term "fruity", a rare bit of potentially homophobic nastiness Rowling unfortunately indulges in from time to time.

Beyond that, we get a very negative impression of this man. From the "weak chin" to the yellow teeth to the cold, shrewd eyes, Karkaroff is described in a way that makes us wary of him from the outset. He "hides" things and smiles false smiles. He cannot be trusted.

To my mind, these descriptions are further examples of Rowling's brilliance as a writer. It is clear that she is in complete command of her craft, masterfully guiding our reactions to her new characters. As it turns out, of course, we learn quickly that J.K. is just as likely to use her powers to mislead us (and therefore make future plot developments more effective) as she is to use them to guide us down the proper path with regard to a particular character.