Monday, November 13, 2017

Concussions can lead to good things

A recent severe concussion left me warned off reading, watching TV, listening to music... thinking for two weeks. After that, I was permitted to read but only very simple books, only children's literature.

For some people, that restriction would be an absolute curse but, when you're a huge Harry Potter fan, it's more like a blessing. I was basically told that I couldn't go to work, I couldn't do any work around the house; I just had to sit around and read Harry Potter. What a nightmare!

So, in the next four weeks, I read the entire seven-novel series over once again, from Philosopher's Stone to Deathly Hallows.

An amazing experience. A testament to the greatness of these seven books and their author.

And I noticed some things this time around (I have read each of the seven books at least 20 if not 30 times), things about which I will have to write future Potter Thoughts posts:
  1. J.K. does an amazing job of creating voices for her different characters -- this leapt out at me while re-reading The Chamber of Secrets with the newly introduced Gilderoy Lockhart and Colin Creevey especially;
  2. The books have some laugh-out-loud moments -- the scene where the Weasleys get trapped behind the fireplace insert at 4 Privet Drive, for example, and many others;
  3. Albus Dumbledore is unfailingly polite in all situations, a practice I would do well to imitate, even if his politeness sometimes hides humour;
  4. I'm not sure if Rowling remembered how she designed Number Twelve Grimmauld Place in The Order of the Phoenix by the time she came to write The Deathly Hallows -- there seem to be too many inconsistencies and discrepancies.
 I also picked up the third of the illustrated versions of the novels -- The Prisoner of Azkaban. Like the first two in this fabulous series, this one is fantastic. Beautiful. Gorgeous. Surprising!

Tuesday, August 29, 2017

Magical Beasts are not worth finding

To put my cards on the table, I am not a huge fan of either of the two "new" Potter-world tomes. Neither the play The Cursed Child nor the film Fantastic Beasts and Where to Find Them fills me with a great deal of joy.

I have written earlier about some of my concerns with the play. I don't think, however, that I have written much about the film.

I watched Fantastic Beasts for only the second time last week. I read the script when it originally came out and then bought the Blu Ray of the film when it was released. I have pretty good equipment at home (50" 4K UHD TV and a topline Blu Ray player) so I figure I got about as good an experience of the film as I could possibly have, outside seeing it in iMax 3D or something.

And I was not impressed.

The story is overly complicated and yet meanders, the characters are sketchily drawn and the special effects, while at times impressive, remind me more of the original Ghost Busters than anything else. The CGI 1920s New York City looks about as fake as the CGI 19th Century Toronto of CBC TV's relatively low budget success The Murdoch Mysteries.

The film also seems to lack a sense of itself. Half the time, it comes across as a middle grade comic adventure (at the level of, say, The Philosopher's Stone) and the other half it is gritty and nasty and violent (The Deathly Hallows).

If that weren't bad enough, Rowling indulges in a great deal of revision of the world she herself created. For example, if I'm not mistaken, in the books, a Legilimens has to look into the eyes of the person whose mind they are invading -- in this film, Queenie can invade minds without even being particularly close to people. This power is played for cute in the movie but it's use here undermines its frightening power in the novels.

And then there is the character of Percival Graves. A highly placed and respected member of the MACUSA, identified as an auror on various websites, Graves has significant magical powers that go way beyond what the average witch or wizard exhibits, reminding the viewer of, well, Voldemort and his powers.

SPOILER ALERT: It turns out that Graves is, in fact, Gellert Grindelwald who, at the film's opening, is the subject of a world-wide search after he disappears in Europe. In the film, we see Newt Scamander cast a spell on Graves and watch as Graves (a dark haired Colin Farrell) dissolves into Grindelwald (a white haired Johnny Depp).

So we must conclude that Grindelwald is, at all times, Graves and that Graves did not have an independent existence before Grindlewald arrived in the US. Which raises the question, how did Graves rise to such a high, trusted position in a MACUSA organization that is, self-admittedly, on the brink of open war with No-Majs (Muggles in America), in JUST A FEW DAYS?

Grindelwald had just disappeared as Newt was arriving in New York with his bag of tricks. We see Graves already in a significant position in MACUSA almost as soon as Tina arrests Newt. Tina arrests NEWT on his first day in New York. That means Grindelwald created Graves and rose to a lofty position in MACUSA in a matter of days, if not hours.

Sure, you could argue that Grindelwald killed an already existing, highly placed auror named Graves when Grindelwald first arrived in America and assumed his physical appearance and his identity but how was he able to fool so many people without knowing anything about Graves' life, character, behaviour? And why wasn't his impersonation spotted, especially in an organisation as security conscious as MACUSA?

The plot is full of holes, I tell you. It's poorly designed, horribly paced and weakly presented.

I may still own the Blu Ray of Fantastic Beasts and Where to Find Them but I doubt I will ever watch it again.

Saturday, April 29, 2017

I just noticed that Rowling made a boo boo

People seem shocked when I tell them that I am constantly in the process of reading a Harry Potter novel -- that there is not a day that goes by when I am not somewhere at the start, in the middle or nearing the end of one of the seven novels by J.K. Rowling.

I've lost count of how many times I've read them (though conservative estimates place the number at 25).

So how is that I missed this?

Harry Potter and the Goblet of Fire. In the chapter entitled "Veritaserum". Page 594 of the Canadian first edition, published in 2000. Eighth line from the bottom.

Barty Crouch Jr. has already transformed back into himself after being stunned by Dumbledore and deprived of his next dose of Polyjuice Potion. The real Alastor "Mad Eye" Moody has been discovered in the bottom of his own magical chest and Barty Crouch Jr., under the influence of three drops of Veritaserum, is explaining everything to Dumbledore, McGonagall, Snape, Harry and Winky, the house elf.

Crouch's transformation back into himself is complete and Rowling has been referring to him as "Crouch" for almost an entire page. Then Dumbledore asks him:
'How did your father subdue you?'
And, in the eighth last line of page 594, Rowling writes the response:
'The Imperius curse,' Moody said. 'I was under my father's control....'
"Moody said" is the tag. Not "Crouch said". "Moody said". Even though Crouch has fully transformed back into himself and Rowling has been referring to him as "Crouch" for more than a page, somehow "Moody" sneaks back in when it is clearly Crouch who is speaking.

How did I miss that error in all my 24 previous readings of the book? How did Rowling miss it in her original writing of the scene, in her numerous reviews and revisions? How did her editors miss it?

To be frank, I missed it because I am always, even after more than 20 readings, so caught up in the action at this point that I speed read the entire chapter. This is the first time I've been able to slow myself down enough to notice things... including continuity errors.

Wow. I'm sure a million other Harry Potter fans have spotted this error in the past but it's the first time I've seen it. It's like Harry Potter is new to me again... after 24 readings.

Wednesday, March 15, 2017

Another side to Rowling's talent

Have you ever tried to write a screenplay? Or even a play? I have and it is NOT EASY. Writing stories and novels isn't easy either but at least they use the same kinds of sentences and paragraphs and stuff that we learned in school.

Screenplays are truly little bits of normal writing jammed between other nonsensical stuff that seems more like code than anything else. And then there is the structure of a screenplay -- sure, it has the same basic elements (beginning, middle and end) that a normal story has but it also requires a whole pile of other bits that they didn't teach us about in the classroom.

That's why it's amazing to me that J.K. Rowling's screenplay for Fantastic Beasts and Where to Find Them is so impressive. A master story teller in traditional prose formats -- her novels include not just, well, novels but also short stories, fables, news articles, magazine articles, advertising copy, and much more in terms of the forms of prose writing, all beautifully written -- J.K. seems to move effortlessly into the world of screenwriting as well.

To be honest, I don't really think Fantastic Beasts is a fabulous screenplay but it is indeed very very good, an amazing accomplishment for a novelist like Rowling. Sure, she probably got lots of help from the professional screenwriters who worked on the Potter films but still -- she has produced a credible, professional quality, exciting first screenplay.

I finally broke down and read the script after I missed Fantastic Beasts when it came out in theatres. My town is so small that films, even major motion pictures, only stick around for a week or two and, if you're distracted by life at the time, you're bound to miss out. I thought I could hold out on reading the script until the film came out on  Blu Ray but... nope. I fell about three weeks short.

And, to be honest, I'm glad I did read it. I have gained a new appreciation for Rowling as a writer (a multi-talented writer) and I now have a clear idea of the story and the characters as I wait, with a great deal of impatience all of a sudden, to get my hands on the Blu Ray to see how this fun, lively, face-paced script was brought to life.

With The Cursed Child, I wanted to see the play to redeem what I consider to be an awful script; with Fantastic Beasts, I want to see the film to see this amazing story on the big (TV) screen.

Tuesday, March 14, 2017

At last, my Hogwarts acceptance letter

I have been accepted to Hogwarts School, the best school of witchcraft and wizardry in the world. That's what the letter I received today says. It's about four decades too late but at least it got here.

 In fact, I got the whole Hogwarts acceptance package: the letter, the list of supplies and books, the train ticket. Very very exciting. I even tweeted to J.K. Rowling to ask her help in finding the Leaky Cauldron and the entrance to Diagon Alley -- I have a lot to buy and I'm not sure Canada has its own magical mall.

I believe that my sister Lynn created these exquisite reproductions (because, let's face it, they're not real... unfortunately) and they have instantly become one of my favourite Harry Potter items, alongside my Gryffindor scarf (also hand-crafted by Lynn), my Grim tea cup and my Harry Potter shelf, all hand-made, one-of-a-kind items.

And these are perfect reproductions. Gorgeous and perfect in every way. The envelope came tied with a string, with the red Hogwarts seal on the back. And, if I'm not mistaken, the letter is perfect, right down to the signatures, while nothing is missed from the supply list enclosed.

I especially love the train ticket, which is plasticised slightly, to keep it firm and clean. I'm not sure everyone in the world would be as enthralled by this little package as I am but I guess that's the nature of presents: they are intended to please and delight the receiver. And, if my sister's excited anticipation of my opening the gift over the past two weeks is any indication, she's as delighted by this as I am!