Filmic regression: Lupin meets Granger in a strange world

So, Hermione Granger and Remus Lupin are together again!


I just caught the teaser trailer for the upcoming film Regression, starring the delightful Ms. Watson. It looks like a reasonably interesting thriller, with lots of eerie stuff, a chilling mystery and numerous dark and rainy nights.


From the trailer, I can't really tell what accent Ms. Watson uses in the film: English, as in Harry Potter, mid-Atlantic (as in The Perks of Being a Wallflower) or something else. She seems to do a lot of crying in the film, unfortunately. Did she ever give us a scene of outright weeping in the eight Harry Potter movies?


Ethan Hawke also stars but the big surprise was to find David Thewlis in a fairly major role. Now, I know Thewlis has been a busy working actor but, until he portrayed Remus Lupin in the magical movies, I had never really noticed him.


Now, he's back with Watson again in another supernatural film.


He's not in the trailer enough to make any kind of assessment of his performance but it will be interesting to see how he does. I always liked him in HP so I expect he'll be fairly strong.


It makes you wonder, however, whether casting directors worry about putting two major Potter actors in the same post-Potter film. Doesn't it seem like they're running a risk that movie-goers won't be able to get beyond the Rowling connection to enjoy them in their new roles?

A film's disdain for subtlety and beauty

Every time I watch the films that were made out of The Deathly Hallows, I feel a little sick.

Sometimes, I want to take a bath, to wash away the gross and icky feeling the movies leave me with.

Other times, I want to sit down and read J.K.'s original novel from cover to cover immediately, just to remind myself of how great her book is, to remove the disgusting taste that horrible film adaptation left in my mouth.

Even as I watch them, feeling more and more sick, disappointed, resentful, I can recognize that there are actually some pretty good scenes in the films. Some brief moments where David Yates and Stephen Kloves actually got it right and did credit to Rowling's original.

For example, I quite like how the Part 1 opens, with brief shots of Harry at Privet Drive watching the Dursley's pack up and go, of Hermione at her home obliviating her parents and their photos to remove any trace of herself, of Ron, standing pensively with the Burrow in the background, looking out over the fields, thinking of what is to come.

I think they do some of the bigger action scenes quite well: the assault on the Ministry, for example, and the escape from Hogwarts.

Emma Watson has some nice moments, as I've written here before, such as her smirk when the freshly returned Ron "votes" to go to see Mr. Lovegood or when she tosses Harry the sword in the Estrange vault.

I quite love the artful way they render the story of the Three Brothers. It's creative and lovely.

But then I am smacked in the face again with the bigger problems of interpretation that plague these movies, with Kloves' and Yates' apparent disdain for the subtlety and beauty of Rowling's deep psychological and emotional tale.

This disdain comes out in many different ways, in numerous decisions they made as to how to present the story, both large and small.

Among the small ones: did you notice that Harry does not liberate Mad-Eye's magical eye from Umbridge's office door at the Ministry? did it bother you that Harry, Hermione and Ron don't spare a moment's feeling for Mr. Lovegood's fate after he summons the Death Eaters? did it phase you that Harry does not mend his own wand before dealing with the Elder Wand nor make the last visit to Dumbledore's portrait in the headmaster's office nor explain why he chooses to dispose of each of the Deathly Hallows in the way he does?

Does it bother you that, in the film version at least, NO ONE except the small group of fighters within Hogwarts joins the battle against Voldemort and the Death Eaters, not the parents of the students, not the people of Hogsmeade, not the Centaurs, the House Elves nor even Grawp?

Does it not drive you absolutely crazy that, while the Hogwart's fighters die simple human deaths, both Bellatrix and Voldemort evaporate into the ether when they die?

That Rowling's single most basic point -- in the end, we are all human and we all are born, live and die just like everyone else, no matter who we are and how powerful we are during our brief stay on earth -- is completely lost in the film?

If not me, who? If not now, when?

I read, appreciate and enjoy the Harry Potter books and, to a lesser extent, I watch, appreciate and enjoy the Harry Potter movies.

But, as I have stated several times on this blog in the past, I have no interest in learning everything there is to know about Joanne Rowling, the author, or Daniel Radcliffe, Rupert Grint, Emma Watson and the other actors who starred in the films. It is enough that J.K. produced a series of novels of such power and fascination -- I don't need to delve into her personal life nor follow every drop of coverage the media offers about her.

And I feel the same about the actors from the films.

Lately, however, Emma Watson, who played Hermione Granger with such charm in the movies, is making it hard for me to continue to ignore her life outside the films.

Some time ago, in fact, I wrote about how impressed I was with her commitment to continue and, in fact, complete her university education.

And now it is her work for the U.N. and the marvellous speech she recently gave on the issue of gender equality and the He For She movement that has me impressed.

Don't get me wrong, I don't necessarily agree with everything Ms. Watson said in that speech. As someone who has spent 10 years of his life working against harassment and discrimination of all kinds in higher education, I was all too aware of the Eurocentrism that pervaded her talk.

And I find it highly ironic that Watson described the first hint she experienced of gender inequity as coming when she was just eight years old and was described as being "bossy" when she wanted to be given the same rights and powers as her male friends.

Why ironic? Because J.K. Rowling used exactly that word, "bossy", when she first introduced the character Watson played, Hermione Granger, in The Philosopher's Stone.

All of that being said, however, there was a great deal to admire in Watson's speech to the U.N., not the least of which is the fact that this world-renowned actress was visibly nervous as she spoke and admitted to the fact as part of her speech. It was clear that the issue means a lot to her and that she wished to be effective in getting her message across.

She spoke slowly, clearly and with a tremor in her voice that added that much more power to her message.

She made another important admission as well. She said, early on, "My life is a sheer privilege," and went on to thank all of the people who offered her opportunity and equity, people she called "the inadvertent feminists who are changing the world today."

Watson recognized that she has been afforded opportunities that few other women have enjoyed and she used that point to acknowledge the responsibility her good fortune placed upon her to use her position of power in our society to speak out about the issue.

Her main point, and the point of the He For She movement, is that both sexes share equally in the fight for gender equity, that men suffer as a result of the imposition of gender stereotypes, even if to a lesser extent then do women.

"I have seen men feel fragile and insecure by a distorted sense of what constitutes male success," she said at one point. And later: "Both men and women should feel free to be sensitive; both men and women should feel free to be strong."

I think there is a great deal of good in what Watson said to the U.N. and I am impressed to the highest degree that 1) she has taken on the responsibility to deliver that message and 2) she has done so with such openness, honesty and emotion.

I became aware of Emma Watson because she played a beloved character in a series of films; I am a fan of Emma Watson because of everything she has done, and continues to do, outside of her film career.

Is it remake time yet? Please...?

By my count, it has now been more than three years since the second part of The Deathly Hallows film hit the theatres.

I have one question: is it still too early to hope that they are finally going to start work on a remake? One that's better than the first? One that actually stays true to the book and doesn't undermine everything J.K. Rowling's awesome original stood for?

Actually, I am only partly kidding. As anyone who has read this blog with any regularity will know, I really detest the last two (and perhaps three) of the films made of Rowling's works.

I have no issues with the actors -- I thought Daniel Radcliffe, Emma Watson and Rupert Grint were excellent choices for the major child roles. It's just the decisions made by the screen writers that I abhor.

So, what do you think? Can we start hoping to hear an announcement that work has begun on the remakes soon? And can we ask for veto rights on the script?

Lauding Watson's commitment to education...

A momentary change of focus to this blog.

I just want to send out my personal congratulations to actress Emma Watson, who played Hermione Granger in the film versions of J.K.'s precious books, on the occasion of her graduating Brown University with a degree in English Literature.

I know, what's the big deal? Lots of people graduate from universities and many of them have earned more advanced, more difficult degrees than a BA in English Lit.

True. Very true.

But Emma Watson continued to pursue her education despite the fact that she is already set for life financially. I can't imagine, after eight Harry Potter movies and several other successful films since (including "The Perks of Being A Wallflower", in which I think Watson was fantastic), that Watson needed to earn a degree in order to make a living or improve her professional standing.

She could easily have skipped post-secondary education entirely and lived a very full and successful life.

So I can only imagine that she pursued her degree either simply because she understands the on-going value of education in her life, or because she recognised that the college experience itself is of real value to a person, or both.

Frankly, I think that's great. I also think it's great that she managed to earn her degree despite the extra, day-to-day, often intrusive scrutiny she was probably under while she attended Brown.

Harry Potter often acknowledged how difficult he found it to attend school as a person of fame. I'm sure Emma Watson discovered the same kinds of challenges at Brown (even if she didn't have an evil wizard plotting to kill her).

So I congratulate her on valuing education, on her commitment to pursuing that education, on her ability to focus on her studies despite the many distractions her fame likely threw her way and on recognising how much the experience of college can mean to her life.

Well done, Emma.

Who's right for Hermione? Don't ask Rowling

If we ever needed proof that author J.K. Rowling has lost track of her own Harry Potter books and gotten caught up, instead, in the often mediocre movies that have been made of them, her recent interview with actress Emma Watson provides it.

Rowling told Watson that, upon further reflection, she now realises that Hermione should have married Harry, not Ron. The announcement has sent the entire Potter fandom into a collective tizzy.

To state it bluntly, Rowling appears to be losing her mind. Or at least her grip on the books she wrote and that we all love.

That is not to say that I ever really liked the idea that Hermione ended up married to Ron. As far as I'm concerned, Hermione, brilliant, hard-working and moral, was too good for any of the young male characters she met at Hogwarts.

Ron, intellectually limited, lacking in simple courage and morally questionable, certainly didn't deserve her.

In fact, I still believe that Hermione's destiny was either to become a renowned magical researcher, developing new spells and potions, exploring the limits of magic, or to teach at Hogwarts (probably while conducting the research I mention above). If she eventually settled down into a relationship, it would be with a person we have never yet met in the books, someone as smart and moral as she is.

Marrying and settling down into a traditional family unit just doesn't seem right for her.

That being said, if Hermione were to marry and have children, I don't buy Harry as a better choice than Ron. Harry is not particularly bright and, as he explains in The Order of the Phoenix, most of his successes were based on luck, timing and the help of others.

All of that aside, however, I am more troubled by the fact that Rowling seems to be so caught up in the Harry Potter movies that she has lost track of her own books.

Her suggestion that Hermione should have ended up with Harry ignores so much textual evidence from the books that I can't even start to explain it here. It appears to be based almost entirely on the belief that Harry and Hermione, as they are portrayed in the films, look well together.

Daniel Ratcliffe and Emma Watson were wonderful choices to play the roles of Harry and Hermione but, as Rowling herself has already admitted, they turned out to be much more attractive than the characters they were chosen to portray. So, if they look well together on screen, that has no meaning when it comes to their fitness as potential life partners.

It is also true that the movies expunged most of the back-story for the Harry-Hermione friendship, making it possible to read much more into their relationship than is actually there in the stories.

Anyway, my simple point is that the suggestion that Hermione should have married Harry instead of Ron holds a lot more water if you are thinking about the movies alone than if you consider the books themselves.

It amazes me that J.K. Rowling, of all people, lost sight of that fact

Revisiting the disappointment of the last movie

Every time I watch the last movie in the Harry Potter series, I feel like I need to take a long, hot shower to clean the ickiness off me.

I don't even know why I try to watch it anymore.

I made the mistake of giving it another shot yesterday, when an extremely hot, humid Sunday afternoon drove me into the coolness of our basement rec room. I watched Part 1 first (not bad, great in some places, a little yucky in others) and then, encouraged, slid Part 2 into the Blu-Ray disc player.

My my, what a mistake.

And what upsets me the most is that, because they made this monstrosity, there is no way anyone is going to come along anytime soon to remake Harry Potter and the Deathly Hallows as a film.And, even if they do, the stars of these movies (Radcliffe, Watson, Grint et al) will be be too old to play their roles and, to be honest, those three have become the hero trio for most of us around the world.

It's such a huge loss, in my opinion, because I think that Rowling's seventh novel would make a great movie (or series of movies) if done properly.

What do I hate most about the eighth movie as it currently exists? Good question:

1. I hate the fact that the screenwriter and director decided they were entitled to rewrite the story completely, keeping only brief signposts and glimpses of J.K.'s fantastic book;
2. I hate the fact that they removed Harry's internal debate between pursuing the Hallows and destroying the Horcruxes that plays such a key motivational role in the book;
3. I hate that they changed the circumstances and motivations for the first kiss between Ron and Hermione;
4. I hate that they felt compelled to change the balance of the final battle so that it became Harry and a small band of Hogwarts people against Voldemort's massive army rather than a pitched battle, the tide of which turned when the people of Hogsmeade and the rest of the magical community, the Centaurs and the House Elves all united to help the Hogwarts people defeat the Death Eaters;
5. I hate the fact that they made the final two very public duels (Molly Weasley versus Bellatrix Lestrange and Harry versus Voldemort) take place in relative obscurity;
6. I hate the fact that they have Voldemort mock Neville rather than attempt to recruit him into his army;
7. I hate that Hagrid's half-brother Grawp has no role in the final scenes;
8. I hate that the film version has significant internal inconsistencies: how does Luna end up back at Hogwarts   as a student after the hero trio helps her escape from Malfoy Manor, why are the Hogwarts students who are hidden in the Room of Requirement when Harry, Hermione and Ron arrive safe to join the rest of the students at Snape's school meeting?;
9. I hate the fact that it wasn't good enough for the filmmakers to have Tom Riddle simply fall down dead at the end;
10. I hate the fact that Harry doesn't mend his own wand with the Elder Wand before breaking it and that he doesn't return to the headmaster's office to explain to Dumbledore's portrait what he's done with the Hallows.

I could go on.

Sure, there are some really good parts of this last film that I'd like to save. I like the escape from Gringott's, which was very well done. I think they did a nice job with the actual duel between Molly and Bellatrix (I just don't like the way they placed it in the greater scene). I thought the scene were Harry brings back his loved ones using the Resurrection Stone was very good as was the scene with Dumbledore in the mystical King's Cross Station after Harry appears to have been killed by Voldemort in the Forest.

So it's not a total loss. But I still think that Harry Potter and the Deathly Hallows, Part 2 is such a stinging disappointment that I have to limit my exposure to it.

Mourning what we lost with the last film

Okay, so I watched The Deathly Hallows, Part 2 again yesterday on Blu Ray. This is the first time I've had the chance to watch it alone, in the privacy of my own den, without interruption or disruption.

I could watch every scene carefully, appreciate the nuances of the performances, the majesty of the sets and costumes, the rhythm of the editing.

What I still could not appreciate was what these filmmakers did to my beloved novel. They butchered it. They made the egregious assumption that they knew better than J.K. Rowling how to craft the end to her fantastic story.

I know. I know. You've read this all before. But it strikes me harder and harder each time I watch that last film.

And the thing that started to seep into my anger as I watched that ridiculous last battle was a deep sadness.

For all their flaws, the first seven movies were enjoyable adaptations of the Harry Potter world. Though not always faithful to the source, they at least provided us with a vision of Rowling's world and characters brought to life.

And Daniel Radcliffe, Emma Watson and Rupert Grint have come to inhabit our conceptions of the Hero Trio, no matter how we've tried to fight it.

So my sadness, I think, comes from the fact that this abomination of an eighth film cannot be made again. It will not be made again. We will never have the chance to see all of these actors inhabit these roles and do them well.

No one is going to go back any time soon and say, "Well, they messed that up pretty badly. Let's go back and do it right."

So I will never see some of the great scenes from the seventh book brought to life on the screen by these actors:
- I will never see Chris Rankin as Percy Weasley topple out into the Room of Requirement from the passage linking the Hogshead with Hogwarts, right into his gathered family to deliver his fumbling apology and be welcomed back into the brotherhood;
- I will never see Grint as Ron express his concern for the wellbeing of the Hogwarts House Elves as the battle is set to begin and, therefore, earn his first true embrace from Watson as Hermione;
- I will never hear Simon McBurney exclaim, as the form of Kreacher bursts from the Hogwarts kitchens to enter the fray, "Fight! Fight! Fight for my master..."
- I will never see the tide in the battle turn when the Centaurs and the rest of the wizarding world enters the fight as Robbie Coltrane as Hagrid holds Harry's apparently dead body;
- I will never get the chance to watch and listen as Radcliffe (as Harry) and Ralph Fiennes (as Voldemort) circle each other carefully, with Harry explaining to his arch enemy (and the gathered crowd), why the Elder Wand will never properly work for Voldemort and how Snape had fooled him for so long; and, worst of all,
- I will never get the chance to see that final moment when Voldemort's curse rebounds on himself and, as Rowling writes, "Tom Riddle hit the floor with a mundane finality, his body feeble and shrunken, the white hands empty, the snake-like face vacant and unknowing."

I feel sadness because, in choosing their own ideas over J.K's, in substituting their sense of drama for hers, the filmmakers have wasted this one golden opportunity to do it right, to capture the beauty of Rowling's final novel on film.

The Ron-Hermione romance doesn't work on film

I've been trying to figure out why the Hermione-Ron romance is so much more believable to me in the novels than in the films.

I think one reason is that, in the novels, Rowling takes a lot more time to develop their relationship, to show them interacting and drawing closer to each other, so that the major events in their romance (like Hermione crying when Ron is dating Lavender or the big kiss in The Deathly Hallows) don't seem to come so much out of the blue.

I'm thinking, for example, of the many scenes in The Goblet of Fire where Ron reacts with jealousy to Hermione's relationship with Victor Krum. Those scenes didn't make it into the movie.

But I think the most significant reason is physical: the Hermione and Ron, as described by J.K. in the books, fit together. Hermione is a bookish girl with bottle-brush hair and too-big teeth. Ron is a tall, gawky red-head with a big nose. They seem right for each other.

Emma Watson and Rupert Grint, however, don't look well together. Watson is just too classically pretty by the end of the series whereas Grint's handsomeness is more lunky and sheepish. You can see Watson's Hermione ending up with someone like Cedric Diggory (had he lived), an athlete with a ready smile and movie-star looks.

In reality, it's probably a combination of the two factors but the movie relationship just doesn't work for me like the book one does.

Evanna is the question mark for me

I've been wondering lately if any of the young actors from the Harry Potter films will be able to continue with successful acting careers.

I know that Daniel Radcliffe has made some much-talked-about appearances on the stage and Tom Felton is currently playing a supporting role in the film Rise of the Planet of the Apes, which is getting a lot of positive reviews. Will they be able to make it last? Once the Harry Potter luster has worn off, will they and their young colleagues still be getting good parts in big films, plays or television shows?

Much to my chagrin, the actor I think has the best shot at making a lasting career out of acting, Emma Watson, seems to be the least interested in doing so. I read somewhere that she's returning to University to complete her degree with no immediate plans to accept new roles. It's too bad. I thought Watson was by far the best of the younger set of actors in the films and would have been interested to see her continue to grow as an actor.

I think Felton has a future, especially if he's willing to continue to play villains. I'm not so sure about Radcliffe: as you already know, I think he was the weak acting link in the Potter films so, unless he gets better quickly, I can't see him doing much.

And what of Rupert Grint, Evanna Lynch, Matthew Lewis and Bonnie Wright, who played Ron Weasley, Luna Lovegood, Neville Longbottom and Gina Weasley respectively?

I like Grint and I think the entertainment business will always have room for the big, lunky, lovable guy with the easy smile. Lewis seems to have attracted a big female fan following, which should help him to land roles, at least for a while.

I can see Wright doing well too. She has a classic English beauty in both her physical appearance and her demeanour. I can see her keeping very active in the busy British film industry.

Evanna Lynch is the big question mark for me. I'm not sure what will happen with her. I think she's fantastic in the Potter films but I'm not sure if the Luna character is really that great a representation of Lynch the actor as she is today. Casting directors will want to place her in roles that are similar to Luna but I'm don't think Lynch will be able to pull of mystically bewildered innocence any more.

Kloves' Harry-Hermione hug scene is a nice addition

Stephen Kloves invented much of the film's final act, straying quite far from J.K.'s original version in the novels. I have to admit, I'm not altogether happy with much of what Kloves did but I do like one scene: the one where Harry tells Hermione and Ron that he's going into the Forbidden Forest to die.

That's not in the book. Rowling is very careful to make this a personal, lonely decision for Harry. In fact, he admits in the novel that, if he were to stop to tell them, he probably could never gather the will to leave them again. He encounters Neville on his way out of Hogwarts and tells Neville that, whatever happens, the snake (Nagini) must die. He also sees Ginny but chooses not to stop for her. Again, he likely would not be able to go on with what he must do.

It's a moving passage in the book and beautifully written.

Although I don't thank Kloves for straying so far from J.K.'s terrific original, I do think the screenwriter does a nice job in that little scene on the stairs of Hogwarts between Harry and his two best friends.

I can't recall the dialogue word for word but Harry tells them that he has learned he carries of piece of Voldemort's soul. "I guess I've known for quite a while," he says, then turns to Hermione, "and I think you have too." They both finally acknowledge what they each had figured out on their own: that Harry must die.

It's a lovely moment. A true moment between three good friends.

Daniel Radcliffe plays it very well. He's calm, reserved, almost non-chalant when he says it, which is exactly how I think Harry should be. And Emma Watson responds perfectly. As the calm, fairly rational Hermione, she allows her emotions to flare briefly in the hug but makes no effort to talk him out of doing what she knows he must do.

I'm not sure what instructions Rupert Grint got on how to play his part but he tends to drop into the background in this scene. I'm not sure if we're supposed to read that as to mean that Ron doesn't know what they're talking about, doesn't understand what Harry must do, or that he's working hard to contain his emotions by standing back and watching.

Ron does eventually join the other two but not until after the hug is coming to a close.

I think it's a really nice scene. I think it gives us, the viewers, a much needed moment to take part in the emotional relationships of our hero trio, to see in front of us the devastation that Harry's fate causes for them.

Of course, I still think that Rowling's choice (not to have any such scene for the sake of realism and to put the focus on Harry's personal journey) is the more elegant, subtle one.

But I understand why Klove's added this scene. And I enjoyed watching it.

Kingsley Shacklebolt impresses in my second viewing

I'm just back from my second viewing of Harry Potter and the Deathly Hallows, Part 2. This time, I caught the 2D version and, frankly, I think it was a big improvement.

I'm still not entirely sold on the revisions to the ending but I came away feeling better about the film. I just loved Helena Bonham Carter channeling Emma Watson in the Gringott's scene and I thought the more emotional passages (especially Snape's memory montage and the Resurrection Stone scene just as Harry enters the Forbidden Forest on his way to his own death) were exceptionally well done.

I have to admit, I was also impressed with Daniel Radcliffe's performance in this film. I have often been critical of his acting in the earlier movies but I think he does a pretty good job here.

Kingsley Shacklebolt is rapidly rising in my estimation as a character in the films and I think George Harris brings him vividly to life every time he gets a chance. I just love the way he emerges from the white swirl in the battle scene of The Order of the Phoenix (a tough, proud man at the top of his form) and I think he provides that same sense of strength in the final film. Too bad Harris wasn't given more to do.

I also noticed this time through (something I missed the first time around) that, when Pansy Parkinson screams for people to grab Harry and turn him over to Voldemort at the beginning of the Battle of Hogwarts, the first four characters to step in front of Harry to protect him are female: Ginny, Hermione, Luna and I think Cho Chang. I am not often impressed with the roles given to female characters in the novels or the movies so this was a really nice moment for me.

I have to think more about this film, both its really great points and the stuff that still bothers me. And, I have to admit, midway through the movie when a guy near me decided he just had to rattle his popcorn bag for about five straight minutes, I found myself thinking: boy, I can't wait to get this on Blu Ray!

The Prisoner is Hermione's film

Next up on my film festival, Harry Potter and the Prisoner of Azakaban. I have to admit, I am one of the many people who think of this movie as one of the best, and possibly the best, in the series.

I love the direction and editing, the very artistic transitions between scenes and the intense atmosphere the director creates throughout the picture.

But mostly I love this film because, let's face it, Hermione owns it. This is her film. Emma Watson is coming of age and so is Hermione, and both dazzle us in this third movie.

In the first movie, it was mostly Ron and Harry and, even when Hermione gets a chance to shine, she lets herself take a back seat to Harry. I hate it when, as Harry prepares to move on to face Quirrell and Voldemort on his own, Hermione dismisses her own impressive powers as mere "cleverness", telling Harry that he is the true hero. Yuck.

In The Chamber of Secrets, Hermione is petrified for most of the important events, leaving it to her male colleagues to carry the day.

So it's just great that, in The Prisoner of Azkaban, J.K. puts Ron on the injured list and leaves it to Hermione and Harry to set things right, with Hermione firmly in the lead. I love the punch (both in the book and in the movie) and I love the fact that Hermione is the one who is in control as things get crazy at the end.

In this film, the kids are starting to grow up and the stakes are getting high. Emma Watson is proving herself to be the best actor of the three leads and it's nice to see that the script gives her a meaty role with which to show off her increasing skills as an actor.

She just continues to get better as the series progresses but it's in The Prisoner of Azkaban that both Emma and Hermione get their real first chance to flex their muscles and take over.

In defence of our hero trio's performances in early films

I'm sitting at home, not feeling well, watching the Harry Potter movies through from the beginning. It's not just fun: it's also educational.

I have just finished watching The Philosopher's Stone and now have The Chamber of Secrets in the Blu Ray player.

And I'm checking out the acting. Several people have said to me recently that they feel the acting of the three young stars in the early movies is really bad.

From what I can tell (not having studied their acting careers), Harry Potter and the Philospher's Stone represented the first real movie roles for Daniel Radcliffe, Emma Watson and Rupert Grint. They were all around 11 years old at the time so that's not really surprising.

Are they bad in this movie? I'm not so sure. First, it is their first real acting experience. Second, they were acting in a huge-budget film, for which expectations were extremely high. Third, they were acting alongside some of the greatest actors and actresses of their age, beside whom they couldn't help but come across poorly.

But those simple answers are not, I think, the only reasons. Think about it. You're 11, you're in your first major role and you have to do much of your acting in front of green screens, imagining the scenes and magical characters that will be created by computer graphic imagery later.

That's not easy for anyone, even the most experienced of actors.

On top of that, if you watch the performances of people like Robbie Coltrane, Maggie Smith, Richard Harris and Alan Rickman in that first film (consummate actors all), you'll notice that even they are hamming things up a bit.

This first film was made specifically for children. Most movies aimed at a younger audiences involve broader acting performances, over-emphasized voices and movements, and all that. It's a regular part of these films.

If you were to compare the performances of Coltrane, Smith and Rickman in the last couple of movies with their performances in the first film, you'd probably see a significant difference. As the target audiences of the films matured, so did the performances of all the actors, not just the youngsters.

The later films were made for adults, so the performances were quieter, more subtle, more realistic than those in the earlier entries in the series.

I'm not saying Radcliffe, Watson, Grint and the other "first years" are deserving of acting awards for their work in The Philosopher's Stone. I'm just saying that, for a variety of reasons, I don't think we should judge them too harshly.

I just love the way Emma Watson whips out the Sword of Gryffindor

By now, many of you have seen the final film. How was it? Was it great? Did it meet your expectations, fulfill your hopes?

As you might have guessed, I have not seen it yet. My life just isn't allowing me time to go to see it. And it's killing me.

I watched the trailers and excerpts again on Rotten Tomatoes. And there were two more today. Both were little documentaries on aspects of the movie: one on Snape's life and the other on Gringott's and Goblins. Great stuff.

The second one gave me a chance to get a preview of Helena Bonham Carter channelling Emma Watson in the scene where Hermione has taken polyjuice potion to pose as Bellatrix for the break-in to the Lestrange vault. Bonham Carter is hilarious in the scene and it's fun to hear Watson's voice trying to sound Lestrange.

My favourite single moment so far, though, has got to be in the Lestrange vault itself when Emma Watson as Hermione whips the Sword of Gryffindor out of her little bag and tosses it to Daniel Radcliffe as Harry. Watson does it with such panache, such style. It's a cool moment.

Once I see the movie, I'll probably have more "cool moments" to talk about but, until then, I think I'll enjoy this one a few more times.

Daniel Radcliffe is the weak acting link

The last couple of posts to this blog have got me to thinking about a couple of things: first, how lucky (or amazingly prescient) the casting people for the first Harry Potter movie were to have chosen so many very young actors who would turn out to be so talented and grow up to be so attractive; and second, how Daniel Radcliffe is clearly the very worst of the actors in continuing roles in the films.

I don't think anyone can deny that Emma Watson, Bonnie Wright and Evanna Lynch have all proven themselves to be very strong actors. And my review of the worldwide web tells me that all three are generally considered to be very attractive young women at this point. On the other side, Rupert Grint, Matthew Lewis and Tom Felton are all accomplished performers and, from what I've read, considered to be fairly easy on the eyes as well.

But what of Daniel Radcliffe? He plays the title role and he's on screen more than any other single performer. Does his performance stand up?

I don't think so. In fact, I find scenes where he's asked to show any kind of emotional depth to be particularly cringeworthy. I mean, any time the guy has to hug someone you want just to cover your eyes until it's over.

Go ahead. Watch the scene on the street in Hogsmeade in The Prisoner of Azkaban, just after Harry has overheard that Sirius Black is widely believed to have betrayed his supposed best friend James Potter to Voldemort. "He was their friend," Radcliffe barks, his eyes wide, his voice hoarse. It's a pivotal, emotionally charged scene and Radcliffe, for all his histrionics, flatlines through it.

Okay, so maybe he was still young then. It was, after all, only the second movie. He's learned, he's grown, you tell me.

Now watch the scene in The Deathly Hallows, Part 1, where Harry finds out from Hermione that his wand has been broken in the escape from Godric's Hollow. "Where's my wand, Hermione?" Radcliffe, now a mature, supposedly accomplished actor, barks. This is a scene where Harry loses his most trusted friend in the magical world, the implement that has saved him time and again from Voldemort, and all Radcliffe can muster is a couple of grunts and a hard stare.

I think Emma Watson is the best young actor by far in the films, the one most worthy to appear beside the who's who of British acting that populates the adult roles. On the other end of the spectrum, Daniel Radcliffe is pretty awful. He's just lucky the material is so strong it can carry him (and the movies) through his flat, emotionally vacant performances.

Emma Watson's smirk is my favourite bit so far

I finally broke down and bought The Deathly Hallows, Part 1 on Blu Ray disc. Used of course. On for 30% off at Blockbuster. With another $11.00 or so deducted for an old gift card I had almost forgotten. So about $5. Not bad.

I've seen the movie about six times already but am looking forward to enjoying it again, and again, and again.

My favourite bit at this point: Emma Watson's facial expression in the scene when Ron votes for going to see Lovegood, shortly after he comes back to them in the Forest of Dean. Priceless.

Emma Watson's wonderful moment (number 1)

Continuing in the theme of movie scenes that I particularly like, I just watched The Goblet of Fire again. It's not my favourite of the films but it is also not the worst of them.

The scene I really love from it, however, comes right at the end. Cedric Diggory is dead, Voldemort lives and Harry and his friends are getting ready to return to their homes unsure of what the future will have in store for them.

As Harry, Hermione and Ron meet up again on the grounds of the school, Hermione lags behind them, thoughtful, in a stone archway. When Harry and Ron turn around to see if she's okay, Hermione says in a pained voice, "Everything is going to change now, isn't it?"

Harry takes a couple of steps toward her, touches her arm and says, "Yes", in a matter-of-fact voice, with a decisive nod.

And then Hermione pulls herself together and nods back before rejoining the conversation about their plans for the summer.

Emma Watson plays the scene perfectly, with just enough fear in her voice at first, then making a visible effort to accept the truth and be brave in the face of it. Watson becomes one of the strongest performers in later films and I think that transformation, that maturity as an actor, starts in this scene.