Time travel drives me crazy, dramatically

I hate time travel in stories.

Why?

Because, if the characters in the story can travel through time, it means that nothing matters. That any major plot development can be undone. That any death can be circumvented.

Simply by having a character travel back in time and avoid the development, stop the death from happening.

The movie Star Trek: Generations is a case in point. In that film, the writers establish that any character who enters a particular zone (called the "Nexus") can choose to leave the Nexus again at any point in time and space.

Great.

When Captain Picard enters the Nexus, therefore, he has the ability to go as far back in time as he wants and change history. Nothing that has happened in the past is therefore set in stone. He can go as far back as he wants and CHANGE EVERYTHING bad that's happened.

Once that fact is established, the plot loses all sense of suspense. There is nothing at stake anymore.

And then Picard chooses to emerge from the Nexus just in time to stop the bad guy from destroying an innocent planet -- chooses that moment rather some earlier moment where he could, for example, stop his beloved brother and nephew from dying in a fire (a major plot point earlier in the movie), then block the Klingons from interfering and then find the bad guy and arrest him before he can do any harm.

Picard's decision makes no sense. In the context of the reality established by the movie, Picard (the film's hero) is, in fact, a fool.

So when J.K. Rowling introduced the possibility of time travel in book three of the Harry Potter collection, I cringed. Really and truly I did. She had fallen into the trap. Nothing else could possibly matter if characters can travel back in time. Nothing bad that happens is ever permanent.

To her credit, Rowling makes excellent use of the time-travel trap in The Prisoner of Azkaban by having her characters travel back in time to save Sirius and Buckbeak.

She actually does it really well. It's a surprisingly exciting read and one of my favourites of the seven novels.

But it begs the Picard question. If they can control how far back in time she travels simply by spinning the Time Turner more or less times, why does Dumbledore not send them back far enough to allow Ron to capture Scabbers, lock him in a box and then use him to help clear Sirius' name without all the drama?

Or send them back 14 or more years to stop Voldemort before he really got started? If Voldemort is stopped before he kills Harry's parents, none of the terrible things that followed upon those murders would have happened. No one would have suffered.

In fact, why didn't Dumbledore himself go back in time right after he realized Tom Riddle was going to be a royal pain in the bottom and put a stop to Riddle's shenanigans?

Sure, we fans can invent all kinds of rules to avoid these questions: Time Turners can only take a person so far back in time and no more, for example. But Rowling doesn't make such rules clear in the book.

Now, in The Order of the Phoenix, Rowling tries to make this right. Or at least to remove time travel as an option that could be used to avoid the final battle of Hogwarts. She has all of the Time Turners destroyed in the Department of Mysteries (and allows us to develop a fan rule that no one alive is capable of making a new Time Turner).

Fine. Great. But I still think the introduction of the possibility of time travel in the magical world of Harry Potter serves to undermine the drama throughout the course of Harry's adventures. Rowling would have been better off not introducing it at all.

Even if it meant having to change the plot of the magnificent third book completely.

In a later blog entry, I'll talk about how I feel that Rowling's introduction of Felix Felicis, of the talking portraits in the Headmaster's office and of the idea of the Taboo also raises significant dramatic problems for these books.

It's about time. It's always about time...

I am on record (numerous times in fact) as to how much I like and admire Harry Potter and the Prisoner of Azkaban. I think it is one of the best of Rowling's seven HP novels and I look forward to reading it every time I pick it up.

But I have to admit, I really regret the fact that J.K. introduced time travel into her magical world.

I have felt the same about the introduction of time travel into all kinds of other wonderful works of fantasy and science fiction: time travel, if it is accessible and fairly easy, completely ruins the drama and introduces all kinds of problems with the story at hand.

In Rowling's third book, time travel allows the creation of a very exciting, interesting plot and a very creative resolution, to be sure. But...

1. If time travel is so dangerous and so strictly controlled by the Ministry, why is it made available to a 13-year-old girl who wants to overload on classes at school?

2. If time travel is so simple to perform, why does the Ministry not use it to avert any of the major disasters that take place in the Potter novels, like the rise of Voldemort, the death of Harry's parents, the murder of dozens of people by Peter Pettigrew, the escape of Sirius Black from Azkaban, the escape of Wormtail, the attack on the Department of Mysteries, the murder of Cedric Diggory, Voldemort's resurrection in the grave yard, Dumbledore's death, the final battle of Hogwarts and on and on and on?

3. If Hermione and Harry can go back three hours in time just by turning the time-turner three times, why not go back five, six, ten hours in time and catch Peter Pettigrew before all the drama begins?

4. Why, in the seventh book, when Harry seeks the Resurrection Stone in a desperate hope of seeing his parents again, does he not, instead, decide to go back in time to save his parents from death in the first place?

5. Why does Voldemort not steal a time-turner and go back in time to avoid his pivotal attack on the infant Harry?

When you introduce time travel, you introduce problems.

I also have to ask the question: why does Dumbledore send Harry and Hermione back in time to save Buckbeak and Sirius rather than simply going back himself? Surely, he would be much more likely to succeed than would these two underage wiz-kids.

As usual, I ask these questions with a smile on my face. These are small issues when compared to the strength of Rowling's creation.