Showing posts with label Little Hangleton. Show all posts
Showing posts with label Little Hangleton. Show all posts

Tuesday, April 21, 2015

Moody, Crouch and the impact of the truth

"Maybe someone's hoping Potter is going to die for it... It was a skilled witch or wizard who put the boy's name in that Goblet... they hoodwinked a very powerful magical object. It would have needed an exceptionally strong Confundus Charm to bamboozle that Goblet into forgetting that only three schools compete in the Tournament... I'm guessing they submitted Potter's name under a fourth school, to make sure he was the only one in his category..."
These are the words of a person who is held out to be Alastor "Mad-Eye" Moody in the wake of the Goblet of Fire's dramatic declaration that there would be, in fact, four students competing in the Tri-Wizard Tournament in Book Four.

And these words demonstrate, in my humble opinion, just how great a writer J.K. Rowling really is.

Just think about the first time you read that passage. What did you think? You thought, of course, that Moody was on the side of angels, that he was, as he later declares, trained to think as dark wizards do, and that he is probably absolutely right about how Harry's name ended up in the Goblet in the first place.

And now, when you read it again, knowing what you know about this particular version of Moody -- that he is, in fact, Barty Crouch Jr., impersonating the ex-Auror using the Polyjuice Potion and neck deep in implementing Lord Voldemort's intricate plot to transport Harry via portkey to the graveyard in Little Hangleton at the end of the Tournament -- what do you think of the passage?

Is there one false note in it?

It's brilliant. Crouch, as Moody, stands in front of all the people who might wish to stop him from succeeding in implementing Voldemort's evil plan, and tells them, point for point, exactly how he managed to get Harry's name into the Goblet and why he did it.

He behaves exactly as Moody would and should had he been there. He exposes his own plot.

And no one calls him on it. No one even remotely suspects him. Because he is, in fact, an ex-Auror with a reputation for paranoia, they in fact dismiss his explanation entirely. Absolutely brilliant.


Tuesday, April 15, 2014

Rowling spills a Goblet full of beans... and we miss it

As anyone who reads this blog at all will know, I am impressed with J.K. Rowling's skill as a writer. In particular, I am impressed with her ability to provide clues in her books so subtly that even a very careful reader will miss them.

I don't know how many times I've re-read one of the Harry Potter books and suddenly recognized that she has told us what will eventually happen, or given us clear indications of the true loyalties of a character, very early in the book and that I had missed it.

One of the best examples occurs in The Goblet of Fire. Right after Harry's name comes out of the Goblet, J.K. has her villain stand in front of us (and a whole host of characters in the book) and tell us not only what he had done but how and why he had done it.

And we were so caught up in Rowling's misdirections that we miss it completely.

In the course of the very fraught argument that follows the selection of the four Triwizard Tournament champions by the Goblet of Fire, "Mad-Eye Moody" tells everyone:

1. That he used an "exceptionally strong Confudus Charm to bamboozle that goblet into forgetting that only three schools compete in the Tournament";
2. That he "submitted Potter's name under a fourth school, to make sure he was the only one in his category";
3. That he did so "hoping Potter is going to die"; and
4. That he knew Potter would have to compete if his name came out of the Goblet because it represents a binding magical contract.

I won't go into the legalities of how it's not possible for Harry to be bound to a contract to which he never agreed but...

We find out later that "Moody" is, in fact, Barty Crouch, Jr., and that he is working on behalf of Voldemort to make sure that Harry is entered into the Tournament, that he wins the Tournament, and that he is transported via Portkey to the graveyard in Little Hangleton where Voldemort waits for him, first to use him to complete his regeneration potion and then to kill him.

We find out later that J.K. told us exactly what had happened and what was going to happen as early as one-third of the way through the novel. And we completely missed it.

That's a brilliant writer at work!

Wednesday, March 26, 2014

Making sense of the Goblet's plot

A small thought. Voldemort required the blood of an enemy to be brought back to life. He desperately wanted that enemy to be Harry. So he needed Harry's blood.

If that's all he needed, why did he go to such ridiculous (and risky) lengths to have Barty Crouch Jr. shepherd Harry into and through the entire Tri=wizard Tournament just to get him to the graveyard in Little Hangleton at the end of The Goblet of Fire?

Why not just have Crouch siphon off some blood and be done with it?

I know, I know. That would kind of kill the whole plot of the book. If all the Dark Lord required was Harry's blood and it was so easy to obtain, he didn't need to attack Mad-Eye Moody, he didn't need to interfere with the entire Tournament, he didn't need Crouch to sneak Harry's name into the Cup, etc. etc. etc.

Not much of a book, sure, but at least it would have made sense.

Wednesday, February 19, 2014

"The Riddle House" opens the fourth book with a bang

I'm just getting back to reading HP, after spending the past six weeks doing my Christmas reading, and it's The Goblet of Fire that's next on the list.

Although this is not my all-time favourite Harry Potter novel, it does feature one of my favourite beginnings. "The Riddle House" is almost like a short story unto itself, focusing on the events in Little Hangleton exclusively, with the narrator positioned for once far away from Harry himself.

It's a neat little chapter. Through first the town's people and then Frank Bryce, the gardener, we get our first chance to experience Voldemort from a more objective, Muggle point of view. And it's interesting to see that Frank is not at first terrified of the intruders he finds in the Riddle House. It is only when Nagini slithers past that he begins to feel any real fear.

I think it's a beautifully written passage, one that contains a great deal of information that will be very important later on, both in the book itself and throughout the rest of the series. We learn, even if we are not fully aware of it, about Tom Riddle's past, about how he murdered his parents and how he allowed an innocent person to take the blame. It's a pattern he would use often in his life.

I particularly like the portrayal of Frank Bryce himself. Rowling introduces him first as the suspect in the murders and she uses both Bryce's own odd behaviours and the responses of the townspeople to the news that he has been arrested to attempt to convince us that he is indeed guilty. It is a common trope in literature to use a physical disability as a sign of an interior, moral defect and Rowling uses that trope to good effect here.

Bryce must be guilty because, well, he's strange and he has a physical disability and he was never right since he returned from the war.

And, even though the police find themselves forced to release him without pressing charges, we still want to believe, as the villagers believe, that he is in fact guilty anyway.

It's another example of one of Rowling's greatest strengths as a writer: the ability to manipulate how we, as readers, read, react and respond to her characters in a very subtle way, to get us convinced in our impressions only then to undermine those impressions in equally subtle ways.

We believe Frank Bryce must be guilty. Or, rather, if we did not know that we were dealing with a world filled with dark, dark magic, we would believe that Frank Bryce must be guilty.

And, in the course of "The Riddle House", we almost forget that this is, indeed, a world filled with magic and that these are, in fact, Voldemort's father and grandparents who are discovered dead in their dining room. We start to believe in the guilt of Frank Bryce.

And then J.K. shows us Frank in action. She lets us in on his thought processes as he stands in the hallway, listening to Voldemort and Peter Pettigrew discuss, in an almost offhand way, the capture, torture and murder of Bertha Jorkins.

Frank Bryce, the person the village was convinced murdered three people years before, stands in the hallway absolutely appalled that Voldemort and Pettigrew could discuss committing a murder in such a casual manner, almost with amusement.

And just when we begin to respect Frank Bryce and his morality, his courage, when we begin to like him...

Voldemort turns and kills him.

And then, at the end of this wonderful little vignette, Rowling picks up the threat that leads us back to Harry Potter and the central story.

It's wonderful writing. It's Rowling at her best. And it's an early sign that J.K.'s writing talents extend beyond her amazing Harry Potter stories.